The Dialogue of Light and Color－The Works of Oil Painting by Chang-Yen-Chen

• Main Authors: Chang-Yen-Chen, 張妍蓁
• Other Authors: 吳振岳
• Format: Others
• Language: zh-TW
• Published: 2004
• Online Access: http://ndltd.ncl.edu.tw/handle/93821283404042902205

碩士 === 大葉大學 === 造形藝術學系碩士在職專班 === 95 === A painting has no color and light, being like life of losing the shining glory, lacking of the spirit and vitality. The color and ray are the important means of the creations, artist by the color and the ray to inform the thought and emotion to cause the sympathy of the audience. The color is the body of the painting, the ray is the soul of the painting. Both and can achieve a good work. This thesis lies in the development and observation of inquiring into the in the past painter's idea to the color and the light, experiment the color light usage in the research on the painting. And variety wanted to be during the period of creating to catch and realize the color and light in person a creation to the painting develop it to record to make it become the style of the writer painting work. Spread in creating a form to the metaphor appreciated the space of imagination and author to hide to is one of the technique of expressions. Through above mentioned theories usage actual creations experience in writer, elaborate personal creations principle, the topic of the work choice, the content form performance and work of annotation. The writer is in the light of the heart of the thanksgiving, using life as the performance object of art, enriching through the color representative's idea, ray of variety, heart in of touched, color with the paintbrush to cause sympathy of appreciating. Keywords：color，light