A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung
碩士 === 大葉大學 === 造形藝術學系碩士在職專班 === 95 === The theme of this research is study on natural and humanitarian images in paintings—statement of painting works by Sung Mei-Chun. The main discussion is on philosophical meanings and symbolism in paintings and concepts and skill presentation of the researcher...
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ndltd-TW-095DYU015800212015-10-13T16:45:44Z http://ndltd.ncl.edu.tw/handle/92287027342278545334 A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung 繪畫中的自然與人文影像之研究—宋美君繪畫創作論述 Mei Chun ,Sung 宋美君 碩士 大葉大學 造形藝術學系碩士在職專班 95 The theme of this research is study on natural and humanitarian images in paintings—statement of painting works by Sung Mei-Chun. The main discussion is on philosophical meanings and symbolism in paintings and concepts and skill presentation of the researcher. The article focuses on nature and humanitarianism with same emphasis on theories and creation. Literature study is the foundation of researcher’s theories in paintings in the hope to reach the goal of creation from the process of cross operation of theories and actual creation. This article is divided into five chapters. Chapter I is the introduction, expounding the motif, purposes, methods, scope, structure, procedures and glossary of this research. Chapter II explains the theoretic foundation of the creation with research analysis of the literature to serve as foundation of creation research in order to establish researcher’s concepts and presentation of ideas. Chapter III is the form and contents of creation, detailing the expression forms, contents and ideas of the researcher’s creation themes. Chapter IV analyzes the works and details the procedures of theories and practice. With the presentation of the actual creation, the unique painting language, creation content and spiritual meanings of the researcher are expounded. Chapter V is the conclusions, generalizing the research results and expectations for the future. According to the researcher, creations shall not merely be the presentation of real objects. On the contrary, they can present personal unique expression forms and vocabulary through creators’ spiritual meaning and philosophical ideas. This research focuses on analysis of the views of the painter in attempt to layout the higher level in the future art creation. Key Words: nature, humanity, images, symbol Yung Han Lee 李元亨 2007 學位論文 ; thesis 112 zh-TW |
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碩士 === 大葉大學 === 造形藝術學系碩士在職專班 === 95 === The theme of this research is study on natural and humanitarian images in paintings—statement of painting works by Sung Mei-Chun. The main discussion is on philosophical meanings and symbolism in paintings and concepts and skill presentation of the researcher. The article focuses on nature and humanitarianism with same emphasis on theories and creation. Literature study is the foundation of researcher’s theories in paintings in the hope to reach the goal of creation from the process of cross operation of theories and actual creation.
This article is divided into five chapters. Chapter I is the introduction, expounding the motif, purposes, methods, scope, structure, procedures and glossary of this research. Chapter II explains the theoretic foundation of the creation with research analysis of the literature to serve as foundation of creation research in order to establish researcher’s concepts and presentation of ideas. Chapter III is the form and contents of creation, detailing the expression forms, contents and ideas of the researcher’s creation themes. Chapter IV analyzes the works and details the procedures of theories and practice. With the presentation of the actual creation, the unique painting language, creation content and spiritual meanings of the researcher are expounded. Chapter V is the conclusions, generalizing the research results and expectations for the future.
According to the researcher, creations shall not merely be the presentation of real objects. On the contrary, they can present personal unique expression forms and vocabulary through creators’ spiritual meaning and philosophical ideas. This research focuses on analysis of the views of the painter in attempt to layout the higher level in the future art creation.
Key Words: nature, humanity, images, symbol
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Yung Han Lee |
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Yung Han Lee Mei Chun ,Sung 宋美君 |
author |
Mei Chun ,Sung 宋美君 |
spellingShingle |
Mei Chun ,Sung 宋美君 A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung |
author_sort |
Mei Chun ,Sung |
title |
A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung |
title_short |
A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung |
title_full |
A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung |
title_fullStr |
A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung |
title_full_unstemmed |
A Study on Nature and Humanistic Image in Painting-The Works of Oil Painting by Mei Chun,Sung |
title_sort |
study on nature and humanistic image in painting-the works of oil painting by mei chun,sung |
publishDate |
2007 |
url |
http://ndltd.ncl.edu.tw/handle/92287027342278545334 |
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