Spatial Consonance

• Main Authors: Hung-hsuan Shen, 沈弘軒
• Other Authors: Yuan-liang Tsai
• Format: Others
• Language: zh-TW
• Published: 2007
• Online Access: http://ndltd.ncl.edu.tw/handle/48358248839444251404

碩士 === 國立成功大學 === 建築學系碩博士班 === 95 === Based on the structure of music,this thesis intends to establish a set of design method,which can guide the process and contribute to the final design result.In order to examine the space-formation potentials,a design case with real site is also being tested. Through the history,to use music as a model of "analogy" or "inspiration" for architecture design has been a common investigation field.It is the thesis intension to explore the possibility of making music as the model of design "conception". The thesis starts,by abstracting major logic from music,it is possible to bridge some relationship between music and architecture；it can construct quality spaces with music"gene"in it.Hereby,the production mechanism of space formation and transformation is established. There are three parts of this thesis operation： 1.idea and view point : Arguments about the theoretical position regarding space and documentation research 2.set rules: To discover the inner order of music as a mechanism for spatial production 3.demonstration: Use cases design to present space characters generated by this design Method