| Summary: | 碩士 === 南華大學 === 美學與藝術管理研究所 === 95 === People’s lives are changing from analogy to digital due to the impact and trial of globalization and technicalization. “Digital” is just like a powerful current and trend, the creation style or theme content is inevitably influenced by the variety and the varying impact of digital technologies. Digital art soon becomes the main shaft of the development of art creation, it presents rich and diversity appearances, breaking through the time and space limitations of works and audiences in traditional art style. As for the traditional art museum, its exhibition forms have great changes and breakthrough.
Hence this study takes the exhibition forms of National Taiwan Museum of Fine Art as the main theme of research, and adopts qualitative research method, implementing document analysis, case studies and in-depth interviews to explore and analysis the issues. First of all, I collect the related document information, and explore the development track and features of digital art. Afterwards, I analyze the differences of exhibition forms of digital art and traditional art according to case studies. Finally, I hope this study can be the reference for subsequent researchers on the applications of theory and practical work.
The Conclusions and suggestions are as the followings:
1. Conclusions:
1.1 Technical ways of thinking generates new art styles, and enables artists to break through the set pattern of creation in traditional art.
1.2 Creative feature with great development potential, manifest the variety appearance of digital art.
1.3 Offer brand new connection of audiences/works /artists.
1.4 The exhibition forms, styles, and materials have broken the traditional ways of thinking and exhibition scope.
1.5 To apply interactive exhibition form that integrated different kinds of media, digital technologies and interfaces, eliminating the gap between the exhibited works and the audiences.
1.6 The diversification of creation styles influence the implementation and practice of exhibition.
1.7 Emphasis on humanity and meaning of creation, to increase the depth of the works.
2. Suggestions:
2.1 Methods to improve the planning and implementation of digital art exhibition:
a. The planning and implementation of exhibition venues should cope with the needs of different creation styles.
b. The arrangement of technical director and technical staff is helpful to the implement of exhibition organization and maintenance of works during the period of exhibition.
c. The arrangement of exhibition guides enables interactive communication between works and audiences.
d. Having long-term cooperation relationship with maneuverable and professional strategic groups enables the inheritance of experiences and accumulation of techniques.
2.2 Establish research institutes that focus on both experiments and researches enable the enhancement of mechanism and integration of resources
2.3 Offer artists creation reward and needed technical resources to create.
2.4 Encourage the team work of artists and engineers can complement each other, and may stimulate new creation inspiration.
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