布魯赫－小提琴作品《蘇格蘭幻想曲，作品46》之詮釋報告

• Main Authors: Ruo-Sin Wu, 吳若心
• Other Authors: I-Chun Hsieh
• Format: Others
• Language: zh-TW
• Published: 2007
• Online Access: http://ndltd.ncl.edu.tw/handle/06640253288706594352

碩士 === 國立臺北教育大學 === 音樂教育學系碩士班 === 95 === The thesis focuses on the discussion about the violin work,《Scottish Fantasy, Op.46》by German composer, Max Bruch (1838-1920) during 1779-1880. Bruch had great interest in folk songs. He not only started to collect them from various countries, but also transformed these Jewish, Swiss, Russian, Scottish folk songs into his inspirations. The full name of the《Scottish Fantasy, Op.46》is “The Fantasia for the Violin and Orchestra with Harp, freely using Scottish Folk Melodies.” The subject of the each four movements is inspired by each four Scottish folk songs, developed with free forms and interpenetrated by the subject of the first movement extracted from “Auld Rob Morris.” The ages, background, biography of Bruch and the foundation, brainchild, forms and frames of the《Scottish Fantasy, Op.46》 will be elaborated particularly in this thesis. Chapter Five would be the emphasis of the whole thesis. It is all about the research and interpretation by the author during the performance of the 《Scottish Fantasy, Op.46》. The chapter also includes the analysis of Ivan Galamian and Efrem Zimbalist, the comparisons of fingerings and bowings between them and also the opinions and suggestions of the author.