A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations

碩士 === 臺灣大學 === 法律學研究所 === 95 === There are different kinds of norms between “the author’s right system” and “the copyright system” on the protection of performers, producers of phonograms and broadcasting organizations. The author’s right system has used neighboring right to protect their performan...

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Main Authors: Hsin-Tsu Kao, 高訢慈
Other Authors: Ming-Cheng Tsai
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/60799424972760203463
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spelling ndltd-TW-095NTU051940692015-10-13T13:55:54Z http://ndltd.ncl.edu.tw/handle/60799424972760203463 A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations 著作鄰接權之研究──以表演人、錄音物製作人及廣播事業之保護為中心 Hsin-Tsu Kao 高訢慈 碩士 臺灣大學 法律學研究所 95 There are different kinds of norms between “the author’s right system” and “the copyright system” on the protection of performers, producers of phonograms and broadcasting organizations. The author’s right system has used neighboring right to protect their performances, phonograms and broadcasting while the copyright system has used copyright mainly to protect them and also cover common-law property right, personal right, unfair competition and criminal law. Looking into the articles of the R.O.C. copyright law about the protection of performances and phonograms, it seems that we adopt the copyright approach. But, examining the contents of these articles, it is still different from other types of property rights of copyrighted works. How can we appropriately explain these limitations, exclusions or special treatments? Does it mean distinct from the copyright approach, and tend towards the neighboring right approach? Furthermore, there is no protection for the contribution of broadcasting organizations. Does it necessary to draw up some norms to protect them? Taiwan has entered into the WTO on January, 1 2002. As a member, we have to follow the WTO related conventions. Article 14 of the TRIPS has regulated the protection of performers, producers of phonograms and broadcasting organizations. The paragraph 6 of article 14 has provided:” Any Member may, in relation to the rights conferred under paragraphs 1, 2 and 3, provide for conditions, limitations, exceptions and reservations to the extent permitted by the Rome Convention.” We are not the member of the Rome Convention in fact, but through the TRIPS, we still have to show our respect and do research on these international conventions as the basis of communication. At this moment, it is necessary to study the relevant approaches and theories of international society and major countries, and then seek to establish the justification theory and legal fundamental of our nation. Consequently, this research will adopt a comparative study method, beginning with a study of relevant international norms, focusing on the differences between the legal regimes of developed countries, including England, U.S.A., Germany, and Japan. The results of this study will be applied to examine the advantages and disadvantages of our present legislation, and to make amendment recommendations. Ming-Cheng Tsai 蔡明誠 2007 學位論文 ; thesis 207 zh-TW
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description 碩士 === 臺灣大學 === 法律學研究所 === 95 === There are different kinds of norms between “the author’s right system” and “the copyright system” on the protection of performers, producers of phonograms and broadcasting organizations. The author’s right system has used neighboring right to protect their performances, phonograms and broadcasting while the copyright system has used copyright mainly to protect them and also cover common-law property right, personal right, unfair competition and criminal law. Looking into the articles of the R.O.C. copyright law about the protection of performances and phonograms, it seems that we adopt the copyright approach. But, examining the contents of these articles, it is still different from other types of property rights of copyrighted works. How can we appropriately explain these limitations, exclusions or special treatments? Does it mean distinct from the copyright approach, and tend towards the neighboring right approach? Furthermore, there is no protection for the contribution of broadcasting organizations. Does it necessary to draw up some norms to protect them? Taiwan has entered into the WTO on January, 1 2002. As a member, we have to follow the WTO related conventions. Article 14 of the TRIPS has regulated the protection of performers, producers of phonograms and broadcasting organizations. The paragraph 6 of article 14 has provided:” Any Member may, in relation to the rights conferred under paragraphs 1, 2 and 3, provide for conditions, limitations, exceptions and reservations to the extent permitted by the Rome Convention.” We are not the member of the Rome Convention in fact, but through the TRIPS, we still have to show our respect and do research on these international conventions as the basis of communication. At this moment, it is necessary to study the relevant approaches and theories of international society and major countries, and then seek to establish the justification theory and legal fundamental of our nation. Consequently, this research will adopt a comparative study method, beginning with a study of relevant international norms, focusing on the differences between the legal regimes of developed countries, including England, U.S.A., Germany, and Japan. The results of this study will be applied to examine the advantages and disadvantages of our present legislation, and to make amendment recommendations.
author2 Ming-Cheng Tsai
author_facet Ming-Cheng Tsai
Hsin-Tsu Kao
高訢慈
author Hsin-Tsu Kao
高訢慈
spellingShingle Hsin-Tsu Kao
高訢慈
A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations
author_sort Hsin-Tsu Kao
title A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations
title_short A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations
title_full A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations
title_fullStr A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations
title_full_unstemmed A Study on Neighboring Right──Focus on the Protection of Performers, Producers of Phonograms and Broadcasting Organizations
title_sort study on neighboring right──focus on the protection of performers, producers of phonograms and broadcasting organizations
publishDate 2007
url http://ndltd.ncl.edu.tw/handle/60799424972760203463
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