The research of accumulate-ink─a creative exposition of ink paintings by Pan,Yu-Yu

碩士 === 國立臺北藝術大學 === 美術學系美術創作碩士班 === 95 === Abstract Two reasons to select accumulate-ink method for creation in this study are: the researcher’s admiration and fondness of the accumulate-ink method of the predecessors, the thought that expression of accumulate-ink method can strengthen the skill...

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Bibliographic Details
Main Authors: Yu-Yu Pan, 潘羽祐
Other Authors: 林章湖
Format: Others
Language:zh-TW
Published: 2007
Online Access:http://ndltd.ncl.edu.tw/handle/3ywch3
Description
Summary:碩士 === 國立臺北藝術大學 === 美術學系美術創作碩士班 === 95 === Abstract Two reasons to select accumulate-ink method for creation in this study are: the researcher’s admiration and fondness of the accumulate-ink method of the predecessors, the thought that expression of accumulate-ink method can strengthen the skills of the researcher, preference of the researcher to use simple and interesting skill to accumulate rich and deep dark color level, and expressing the individual feelings and response to the time of the researcher with accumulate-ink method. The composition is based mainly on the personal feelings. In addition to expressing the inner feelings of the researcher, it is hoped that, with exploring the internal quality through the composition, the researcher can seek the mental tranquility. Therefore, the exploration of ideal form of bimo is the experience of compositon performance and individual internal philosophy. With the process of exploration, the researcher profoundly thinks over the meaning of bimo and connotation of composition. With this as the foundation of personal artistic style, the researcher further studies the nature of composition to establish the future composition directions. In the second chapter of the research with exploration of theories, the researcher discusses the connection between technique of painting and ink method in ink paintings and expounds the development of accumulate-ink method in ink paintings with citation records. It is hoped that the researcher will have more profoundly experience in ink painting composition and have better idea of future direction to broaden and deepen the works in the future. In the third chapter, the composing context of the researcher is traced to have a profound discussion of the composition ideas. Environment around the researcher, personal qualities, influences on the ink painting composition, discussion on composition philosophy, and accumulate-ink method expression techniques of the researcher serve to explain in what mental state the researcher selects accumulate-ink method and further analyze the use of accumulate-ink method and expression. With integration of documents of predecessors and the inner self-analysis of the researcher on composition, the researcher discusses the contents and forms of the works on personal composition process and mental analysis and attempts to explain the styles of the personal works. In Chapter V, the conclusion of the researcher’s composition ideas and future composition direction is made to start composition ideas of progressive thinking and connection of context.