An Optimality Theory Approach to Jiang Kuei's Verses in Music
碩士 === 國立政治大學 === 語言學研究所 === 96 === Researchers of Song verses have often proposed the rules to describe the poetic composition, but few have focused on the interactions between verse language and music. Therefore, the aim of the study attempts to explore how music and the linguistic requirements ar...
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ndltd-TW-096NCCU54620052015-11-30T04:02:55Z http://ndltd.ncl.edu.tw/handle/78638551989837925546 An Optimality Theory Approach to Jiang Kuei's Verses in Music 以優選理論看姜夔入樂詩詞 Sung,Kai lin 宋凱琳 碩士 國立政治大學 語言學研究所 96 Researchers of Song verses have often proposed the rules to describe the poetic composition, but few have focused on the interactions between verse language and music. Therefore, the aim of the study attempts to explore how music and the linguistic requirements are related in Jiang Kuei’s seventeen verses. This research involves a corpus-based and a theoretical analyses. The corpus-based analysis focuses on structure, rhythm and tone to generalize the patterns of Jiang’s verses on a statistic basis. Under the framework of Optimality Theory, the theoretical analysis explains Jiang’s linguistic and musical arrangements in verses and confirms that the output forms are determined by a hierarchy of constraints. To conclude, this study sheds new light on the relationship between music and language and provides a fresh perspective on the Song verse formats. Hsiao,Yuchau, E. 蕭宇超 2008 學位論文 ; thesis 206 en_US |
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碩士 === 國立政治大學 === 語言學研究所 === 96 === Researchers of Song verses have often proposed the rules to describe the poetic composition, but few have focused on the interactions between verse language and music. Therefore, the aim of the study attempts to explore how music and the linguistic requirements are related in Jiang Kuei’s seventeen verses. This research involves a corpus-based and a theoretical analyses. The corpus-based analysis focuses on structure, rhythm and tone to generalize the patterns of Jiang’s verses on a statistic basis. Under the framework of Optimality Theory, the theoretical analysis explains Jiang’s linguistic and musical arrangements in verses and confirms that the output forms are determined by a hierarchy of constraints. To conclude, this study sheds new light on the relationship between music and language and provides a fresh perspective on the Song verse formats.
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Hsiao,Yuchau, E. |
author_facet |
Hsiao,Yuchau, E. Sung,Kai lin 宋凱琳 |
author |
Sung,Kai lin 宋凱琳 |
spellingShingle |
Sung,Kai lin 宋凱琳 An Optimality Theory Approach to Jiang Kuei's Verses in Music |
author_sort |
Sung,Kai lin |
title |
An Optimality Theory Approach to Jiang Kuei's Verses in Music |
title_short |
An Optimality Theory Approach to Jiang Kuei's Verses in Music |
title_full |
An Optimality Theory Approach to Jiang Kuei's Verses in Music |
title_fullStr |
An Optimality Theory Approach to Jiang Kuei's Verses in Music |
title_full_unstemmed |
An Optimality Theory Approach to Jiang Kuei's Verses in Music |
title_sort |
optimality theory approach to jiang kuei's verses in music |
publishDate |
2008 |
url |
http://ndltd.ncl.edu.tw/handle/78638551989837925546 |
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