福爾摩沙年代記以台灣常民造型動畫創作

碩士 === 國立高雄師範大學 === 視覺設計學系 === 96 === This study aims to explore the customs of the common people of the Retrocession Taiwan in the 1960s and, by so doing, it will recall the common people’s viewpoints on the popular culture. By the legends of so-called “ghost” in the early days of Taiwan, it sounds...

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Bibliographic Details
Main Author: 陳鴻彬
Other Authors: 李億勳
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/99411434230329822579
Description
Summary:碩士 === 國立高雄師範大學 === 視覺設計學系 === 96 === This study aims to explore the customs of the common people of the Retrocession Taiwan in the 1960s and, by so doing, it will recall the common people’s viewpoints on the popular culture. By the legends of so-called “ghost” in the early days of Taiwan, it sounds like an inaccessible legend. It can be a vivid legend, however, told by most mothers at that time and it may suddenly become a vivid figure that haunts in the mind of the people in the Taiwanese society from past to present. Thus, it can vividly embody the social mores and mentality at that time, even though it is merely a legend. In this animation creation, this study employs the style incorporated by 2d and 3d as well as the style of ink-and-wash, in attempt to create the pastoral images of the early agricultural society of Taiwan at that time. In this creation, I attempt to create the facial expressions and characters that primarily belong to the Taiwanese people, instead of the Japanese cosmic style that was formally expressed. Meanwhile, the main purpose of this study is: it adopts Taiwanese to highlight the children’s specific expression and intonation; in the scenic design, it employs the suggestive style that particularly belongs to the Chinese brushes, without delineating the detailed lines.