The Research of Synchronicity Art Form

碩士 === 國立屏東教育大學 === 視覺藝術教育學系 === 96 === Abstract This research was conducted form the synchronicity art form, and the purpose will be based on Jung Carl Gustav’s synchronicity theory, to build the synchronicity art form, and established the concept of synchronicity aesthetics. Finally, I treated the...

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Main Authors: Min-tsui Chung, 鐘敏翠
Other Authors: You-jheng Lin
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/96764056727331027579
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spelling ndltd-TW-096NPTT56160092015-10-13T13:48:20Z http://ndltd.ncl.edu.tw/handle/96764056727331027579 The Research of Synchronicity Art Form 「同時性」在藝術表現形式之研究 Min-tsui Chung 鐘敏翠 碩士 國立屏東教育大學 視覺藝術教育學系 96 Abstract This research was conducted form the synchronicity art form, and the purpose will be based on Jung Carl Gustav’s synchronicity theory, to build the synchronicity art form, and established the concept of synchronicity aesthetics. Finally, I treated the main on contemporary synchronicity art form. This research has been undergone according to history method, the psychology of art, iconography, style analysis, and the induction method. The conclusion was that the synchronicity art form is oscillated between artist''s intellectual and insensate, and occurred at the same time. In the process of artist''s creation, the soul was in entirely free situation, the creativity depends on the oscillating relationship between the inspiration and corresponding works, instinct and unconscious. There are several synchronicity art form, including automatism, fortuity, and unconscious painting. Synchronicity art have some characteristic, such as spontaneity, random, casually, and can’t be imitated. It also emphasizes that artist’s inner spirit and outside shape should be acted at the same time, to create unique image between rational and instinctive resonance. You-jheng Lin 林右正 學位論文 ; thesis 169 zh-TW
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description 碩士 === 國立屏東教育大學 === 視覺藝術教育學系 === 96 === Abstract This research was conducted form the synchronicity art form, and the purpose will be based on Jung Carl Gustav’s synchronicity theory, to build the synchronicity art form, and established the concept of synchronicity aesthetics. Finally, I treated the main on contemporary synchronicity art form. This research has been undergone according to history method, the psychology of art, iconography, style analysis, and the induction method. The conclusion was that the synchronicity art form is oscillated between artist''s intellectual and insensate, and occurred at the same time. In the process of artist''s creation, the soul was in entirely free situation, the creativity depends on the oscillating relationship between the inspiration and corresponding works, instinct and unconscious. There are several synchronicity art form, including automatism, fortuity, and unconscious painting. Synchronicity art have some characteristic, such as spontaneity, random, casually, and can’t be imitated. It also emphasizes that artist’s inner spirit and outside shape should be acted at the same time, to create unique image between rational and instinctive resonance.
author2 You-jheng Lin
author_facet You-jheng Lin
Min-tsui Chung
鐘敏翠
author Min-tsui Chung
鐘敏翠
spellingShingle Min-tsui Chung
鐘敏翠
The Research of Synchronicity Art Form
author_sort Min-tsui Chung
title The Research of Synchronicity Art Form
title_short The Research of Synchronicity Art Form
title_full The Research of Synchronicity Art Form
title_fullStr The Research of Synchronicity Art Form
title_full_unstemmed The Research of Synchronicity Art Form
title_sort research of synchronicity art form
url http://ndltd.ncl.edu.tw/handle/96764056727331027579
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