| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 96 === The “Shanghai School” is a new group of new-styled painters in late Ching Shanghai. It brings tremendous transfer revolutionary to Formalism in early Ching Dynasty. It is formed by brand-new composition, themes which have never seen before, painters’ creation and foreign painting skills. The article takes Japanese styled paintings in “Dian-shih-chai-tsung-hua” as the begging, finding the reason of forming Japanese styled painting and researching its origins. In fact, I find that those works come from many Japanese paintings. The cultural interaction between China and Japan has played an important role since long time ago. Therefore, the article takes landscape painting and figure painting, on which Japan has greater effect, in modern Chinese paintings. I manage to analyze the relationship between the development of late Ching paintings and Japanese paintings through ways of the intercourse between Chinese and Japanese culture, their social background, style and etc.. As the leader of the “Shanghai School”, “Four Jen” and, Wu You-Ju, who is the chief editor of “the pictorial magazine of Dian-shih Cottage”, take advantages from foreign paintings. Their paintings with Ukiyo-e are another points in this graduate thesis.
Meanwhile, due to the spreading of lithographic prints in late Ching, it turns the history of Chinese engraving into a new leaf. Chinese traditional woodcut has some advantages which can’t be replaced by modern techniques, so the graduate thesis states the general development from Chinese woodcut to modern letterpress painting at the conclusion. It offers engraving lovers reference materials with first published information.
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