The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise

碩士 === 國立臺灣師範大學 === 美術學系 === 96 === The distance between two points—Lin Miao-Yu Ink Painting Creations Treatise Abstract If the coordination of points shapes our perception of space, the movement from one point to another can be seen as the passing of time. As the distance between two points, “t...

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Main Authors: Lin Miao-yu, 林妙俞
Other Authors: Ho Huai-shuo
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/ppcy2d
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spelling ndltd-TW-096NTNU52330482019-05-15T19:38:22Z http://ndltd.ncl.edu.tw/handle/ppcy2d The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise 兩點之間的距離─林妙俞水墨創作論述 Lin Miao-yu 林妙俞 碩士 國立臺灣師範大學 美術學系 96 The distance between two points—Lin Miao-Yu Ink Painting Creations Treatise Abstract If the coordination of points shapes our perception of space, the movement from one point to another can be seen as the passing of time. As the distance between two points, “the one” can be used as a way to interpret the world. When “the one” is stretched between two points, it not only opens up the pursuit of truth but also traces back to the origin of reason. The space between two points reveals the continuation of a question, and the distance between them points to an answer. The distance becomes a cognitive process of viewing the world, while the “preservation of distance” between two points becomes an attitude of perception. The distance created by the focal length may separate the subject and object, but at the same time it brings the two even closer to each other. An adequate distance helps to create varying perspectives on our interpretation of the world. We choose our way of viewing the world through distance, and “the preservation of distance” between two varying points is the central idea of this paper. Between the two points of the cognition of sense and that of sensibility, “the one” defines the line of thought within an Eastern framework of interpreting the world, whereas “intuition” makes up the essential awareness embraced by the Western mode of interpretation. Between the two points of Taipei and Yilan, “time” is a factor in the creative process, while “space” is a variable affected by conflicts in the surroundings. Between the two points of brush and ink, “one stroke” (Yi-hua) explores the creativity behind wash painting, while “oneness” (Hua-yi) is a state to be attained through life-long pursuit. The distance that falls between two points… may in reality become closeness. Keywords: the one ,distance, intuition, brush and ink Ho Huai-shuo 何懷碩 2008 學位論文 ; thesis 56 zh-TW
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description 碩士 === 國立臺灣師範大學 === 美術學系 === 96 === The distance between two points—Lin Miao-Yu Ink Painting Creations Treatise Abstract If the coordination of points shapes our perception of space, the movement from one point to another can be seen as the passing of time. As the distance between two points, “the one” can be used as a way to interpret the world. When “the one” is stretched between two points, it not only opens up the pursuit of truth but also traces back to the origin of reason. The space between two points reveals the continuation of a question, and the distance between them points to an answer. The distance becomes a cognitive process of viewing the world, while the “preservation of distance” between two points becomes an attitude of perception. The distance created by the focal length may separate the subject and object, but at the same time it brings the two even closer to each other. An adequate distance helps to create varying perspectives on our interpretation of the world. We choose our way of viewing the world through distance, and “the preservation of distance” between two varying points is the central idea of this paper. Between the two points of the cognition of sense and that of sensibility, “the one” defines the line of thought within an Eastern framework of interpreting the world, whereas “intuition” makes up the essential awareness embraced by the Western mode of interpretation. Between the two points of Taipei and Yilan, “time” is a factor in the creative process, while “space” is a variable affected by conflicts in the surroundings. Between the two points of brush and ink, “one stroke” (Yi-hua) explores the creativity behind wash painting, while “oneness” (Hua-yi) is a state to be attained through life-long pursuit. The distance that falls between two points… may in reality become closeness. Keywords: the one ,distance, intuition, brush and ink
author2 Ho Huai-shuo
author_facet Ho Huai-shuo
Lin Miao-yu
林妙俞
author Lin Miao-yu
林妙俞
spellingShingle Lin Miao-yu
林妙俞
The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise
author_sort Lin Miao-yu
title The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise
title_short The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise
title_full The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise
title_fullStr The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise
title_full_unstemmed The Distance Between Two Points-- Lin Miao-yu Ink Painting Creations Treatise
title_sort distance between two points-- lin miao-yu ink painting creations treatise
publishDate 2008
url http://ndltd.ncl.edu.tw/handle/ppcy2d
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