| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 96 === Throughout history human being has been a central subject full of interest to artist. As an important member among the genres of traditional Chinese painting, Fine-Brushwork Figure Painting starts to take shape in Wei-Jin, reaches at its peak in Wu-Dai, and then loses power in Sung Dynasty due to the rise of Scholar-Amateur Painting. While during the past decades, when the cultural interchange between east and west becomes more evident, Modern Fine-Brushwork Painting has gradually become a wide encompassing genre, in terms of its subjects and styles, as well as practical skills.
Centering around the subject of Fine-Brushwork Figure Painting, this creative study investigates not only related theories and old master’s working experiences from which one can learn, but also the expertise of western realist art, with the hope to achieve a better understanding of the nature of the subject. An outline of the paper is as follows.
Chapter 1 Introduction: A Description of Research Motivation, Research Object, Research Method, and Research scope
This study is centering around Fine-Brushwork Figure Painting. This creative research investigates related theories, old master s’ working experiences, and the merit of western art, for a purpose to achieve a better understanding of the nature of the subject.
Chapter 2 The Definition and Historical Development of Fine-Brushwork Figure Painting
This chapter surveys the definition and the historical development of Fine-Brushwork Figure Painting, based on the application of theoretic analysis approach and historical research method. Besides, the related aesthetic judgements and creative theories are also studied.
Chapter 3 Creative Ideas and Practices
Following a discussion of the classic aesthetics and the western influences passed down to the artist’s body of work, five key points are provided as conclusion to the research, including: the modeling with line, the expression of within and without, the emphasis on Qiyun, having a ready plan in mind , and finally the use of local color.
Chapter 4 Finished Work
A detailed description of the intention of the artist is provided, as well as what has been done in the pursuit of the goal.
Chapter 5 Conclusion
A closing summary is made for the 2-year-long research and the creative process.
|
|---|
