The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40

碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 96 === Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the chara...

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Main Authors: Yang ya-ju, 楊雅如
Other Authors: 曾素芝
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/73142949737562107186
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spelling ndltd-TW-096NTPTC2470232015-10-13T13:47:51Z http://ndltd.ncl.edu.tw/handle/73142949737562107186 The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 蕭斯塔可維奇《d小調大提琴奏鳴曲,作品四十》之分析及詮釋 Yang ya-ju 楊雅如 碩士 國立臺北教育大學 音樂學系碩士班 96 Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the character of singing melodies. The second and the fourth movement have styles of Russian folk songs. Four chapters are contained in this study. This first chapter explains the purpose, content, methods, and procedures of this paper. The second chapter includes the introduction of Shostakovich’s life, the musical style and the special compositional materials. The third chapter explores the creation background and analyzes the “Cello Sonata in d Minor, Op. 40”. Chapter IV, the author provides a suggestion of how to interpret this sonata according to this study. The last chapter is the acquaintance and conclusion of the author. 曾素芝 2008 學位論文 ; thesis 71 zh-TW
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description 碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 96 === Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the character of singing melodies. The second and the fourth movement have styles of Russian folk songs. Four chapters are contained in this study. This first chapter explains the purpose, content, methods, and procedures of this paper. The second chapter includes the introduction of Shostakovich’s life, the musical style and the special compositional materials. The third chapter explores the creation background and analyzes the “Cello Sonata in d Minor, Op. 40”. Chapter IV, the author provides a suggestion of how to interpret this sonata according to this study. The last chapter is the acquaintance and conclusion of the author.
author2 曾素芝
author_facet 曾素芝
Yang ya-ju
楊雅如
author Yang ya-ju
楊雅如
spellingShingle Yang ya-ju
楊雅如
The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
author_sort Yang ya-ju
title The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
title_short The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
title_full The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
title_fullStr The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
title_full_unstemmed The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
title_sort analysis and interpretation of d. shostakovich's sonata of cello and piano in d minor, op. 40
publishDate 2008
url http://ndltd.ncl.edu.tw/handle/73142949737562107186
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