The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40
碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 96 === Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the chara...
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ndltd-TW-096NTPTC2470232015-10-13T13:47:51Z http://ndltd.ncl.edu.tw/handle/73142949737562107186 The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 蕭斯塔可維奇《d小調大提琴奏鳴曲,作品四十》之分析及詮釋 Yang ya-ju 楊雅如 碩士 國立臺北教育大學 音樂學系碩士班 96 Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the character of singing melodies. The second and the fourth movement have styles of Russian folk songs. Four chapters are contained in this study. This first chapter explains the purpose, content, methods, and procedures of this paper. The second chapter includes the introduction of Shostakovich’s life, the musical style and the special compositional materials. The third chapter explores the creation background and analyzes the “Cello Sonata in d Minor, Op. 40”. Chapter IV, the author provides a suggestion of how to interpret this sonata according to this study. The last chapter is the acquaintance and conclusion of the author. 曾素芝 2008 學位論文 ; thesis 71 zh-TW |
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碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 96 === Shostakovich composed His “Cello Sonata in d Minor, Op. 40” in 1934.The musical structure is subject to traditional form with unconventional tonality. This sonata has contrastive relationship with tempo and style. The first and the third movement have the character of singing melodies. The second and the fourth movement have styles of Russian folk songs.
Four chapters are contained in this study. This first chapter explains the purpose, content, methods, and procedures of this paper. The second chapter includes the introduction of Shostakovich’s life, the musical style and the special compositional materials. The third chapter explores the creation background and analyzes the “Cello Sonata in d Minor, Op. 40”. Chapter IV, the author provides a suggestion of how to interpret this sonata according to this study. The last chapter is the acquaintance and conclusion of the author.
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曾素芝 |
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曾素芝 Yang ya-ju 楊雅如 |
author |
Yang ya-ju 楊雅如 |
spellingShingle |
Yang ya-ju 楊雅如 The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 |
author_sort |
Yang ya-ju |
title |
The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 |
title_short |
The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 |
title_full |
The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 |
title_fullStr |
The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 |
title_full_unstemmed |
The Analysis and Interpretation of D. Shostakovich's Sonata of Cello and Piano in d minor, Op. 40 |
title_sort |
analysis and interpretation of d. shostakovich's sonata of cello and piano in d minor, op. 40 |
publishDate |
2008 |
url |
http://ndltd.ncl.edu.tw/handle/73142949737562107186 |
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