China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)

碩士 === 國立臺灣大學 === 社會學研究所 === 96 === This thesis is located in the overlap between cultural policy research and festival study, trying historically to analyze the new government-organized festive events in Taipei during the governance of Mayor Chen Shui-Bian (陳水扁, 1994-1998) and Mayor Ma Ying-Jiou (馬...

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Main Authors: Min-Yue Siao, 蕭民岳
Other Authors: Ming-Tsung Lee
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/77534071699345502341
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spelling ndltd-TW-096NTU052080092016-05-11T04:16:51Z http://ndltd.ncl.edu.tw/handle/77534071699345502341 China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006) 跳出「中」心,吃進中「華」:北市官辦大眾節慶的文化政治(1994-2006) Min-Yue Siao 蕭民岳 碩士 國立臺灣大學 社會學研究所 96 This thesis is located in the overlap between cultural policy research and festival study, trying historically to analyze the new government-organized festive events in Taipei during the governance of Mayor Chen Shui-Bian (陳水扁, 1994-1998) and Mayor Ma Ying-Jiou (馬英九, 1998-2006). I propose that the festival as a cultural frame summoning people into a specific time and space, creating the possibility of structural change through symbol operating. Furthermore, festival, as a direct cultural impact on citizens, must be a key point on cultural policy study. In comparison to most of the cultural policy studies focusing on the local festivals which often be thought of cultural industry, the festivals related to the structural change in the centre(the urban) was different from those in the periphery( the rural). Based on the above discussion, this thesis involves three issues. First, what are the content of these cultural frames? Second, why did the different cultural frames emerge? Third, what structural changes did these festivals reflect and respond to? Ming-Tsung Lee 李明璁 2008 學位論文 ; thesis 106 zh-TW
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description 碩士 === 國立臺灣大學 === 社會學研究所 === 96 === This thesis is located in the overlap between cultural policy research and festival study, trying historically to analyze the new government-organized festive events in Taipei during the governance of Mayor Chen Shui-Bian (陳水扁, 1994-1998) and Mayor Ma Ying-Jiou (馬英九, 1998-2006). I propose that the festival as a cultural frame summoning people into a specific time and space, creating the possibility of structural change through symbol operating. Furthermore, festival, as a direct cultural impact on citizens, must be a key point on cultural policy study. In comparison to most of the cultural policy studies focusing on the local festivals which often be thought of cultural industry, the festivals related to the structural change in the centre(the urban) was different from those in the periphery( the rural). Based on the above discussion, this thesis involves three issues. First, what are the content of these cultural frames? Second, why did the different cultural frames emerge? Third, what structural changes did these festivals reflect and respond to?
author2 Ming-Tsung Lee
author_facet Ming-Tsung Lee
Min-Yue Siao
蕭民岳
author Min-Yue Siao
蕭民岳
spellingShingle Min-Yue Siao
蕭民岳
China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)
author_sort Min-Yue Siao
title China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)
title_short China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)
title_full China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)
title_fullStr China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)
title_full_unstemmed China-out/Chinese-in: Cultural Politics of the Popular Festivals in Taipei(1994-2006)
title_sort china-out/chinese-in: cultural politics of the popular festivals in taipei(1994-2006)
publishDate 2008
url http://ndltd.ncl.edu.tw/handle/77534071699345502341
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