Furniture Design Derived from Chinese Traditional Landscape Painting

碩士 === 實踐大學 === 產品與建築設計研究所 === 96 === Following the ascending and developing of post-modernism, the concept of managing and developing in product design has jumped out of the ”Form Follows Function” frame to emphasize on pursuing individual cultural characteristic; Chinese culture is where we are li...

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Bibliographic Details
Main Authors: Yang Yao-Hsien, 陽耀賢
Other Authors: 官政能
Format: Others
Language:zh-TW
Published: 2008
Online Access:http://ndltd.ncl.edu.tw/handle/94866336716982814856
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Summary:碩士 === 實踐大學 === 產品與建築設計研究所 === 96 === Following the ascending and developing of post-modernism, the concept of managing and developing in product design has jumped out of the ”Form Follows Function” frame to emphasize on pursuing individual cultural characteristic; Chinese culture is where we are living in, and contains mass available reference resources for designing. Therefore, how to analyze and transform these resources have become the key factor to deal with cultural subject, Hence, in order to discuss the method of Chinese culture applies to product design, the research cuts into through the inheritance culture essence of traditional Chinese landscaping painting, consolidating and analyzing by constructing tree sides of “Internal Esthetics Thought”, “External Presence Method” as well as “Current Culture Product’s Display”, and use it as developing reference to design and create. According to the research from “Esthetics Thought” that we can learn, Chinese culture and landscape painting’s thinking structure are both from the same origin, “Hidden”, “Connotation” and “Metaphor” are their main explanation symbols. Moreover, to the landscape painting’s “Presence Method”, it could be concluded wth four different characters of “Imagination”, “Line”, “Perspective” and “Spatial structure”, the last one is mostly important. It is where the research’s transforming tool to connect graphic drawing and three-dimensional products. Through the observation of current related “Cultural Products”, two conclusions have obtained. First is to control and apply the “Identity of Culture”-- the contains are “black” and ”calligraphic lines”; the second is including three characteristics such as ”fit the culture into living”, “anit-simplism” and “surpass the usage of old material”. The research takes the above study results accordingly to cut as the cutting point for design, uses Chinese culture as the concept resources to create the furniture. It was found during the actual creation process, Chinese culture applies to product design’s method may consolidated through three major ranges. First of all, “from the spiritual meanings of the specific cultural media (the landscape painting) to bringing the possible product image”, second “find out the transformation between the media and products”, last “establish firmly the common balance point between the media and the product” the finish the design. The research ultimately bases the above mentioned three items to transform to Chinese cultural product designing method.