Fission After Suspending

碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 96 === Abstract In this thesis, the term “fission” does not mean schizophrenia or a declaration of national stand but a light and graceful escape. It makes the subject split and pass through a rigid border. Here the fission becomes a turning point of transformation...

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Main Authors: Tsuang-Hsun Chuang, 莊宗勳
Other Authors: Chien-Pei Chen
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/65887147260468406435
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spelling ndltd-TW-096TNCA55800022015-10-13T14:04:51Z http://ndltd.ncl.edu.tw/handle/65887147260468406435 Fission After Suspending 懸置後分裂 Tsuang-Hsun Chuang 莊宗勳 碩士 國立臺南藝術大學 造形藝術研究所 96 Abstract In this thesis, the term “fission” does not mean schizophrenia or a declaration of national stand but a light and graceful escape. It makes the subject split and pass through a rigid border. Here the fission becomes a turning point of transformation and changes the subject’s direction. This direction is mixed with contradictory and ambiguous particularity to correspond with a nonlinearly development of history. This“fission” maybe is a gentle split or is a subject’s temporary weakness? it makes the subject vaguely shuttle in the irresistible current of information and exist evasively. The splitting of fission works as a safe mode which can pierce through the state of suspension and exempt from insanity My purpose in this thesis is to describe my art works between the years 2005 to 2007. It is also an observation on the Taiwanese art environment. Moreover, based on my art works and observation, the effects which have been generated by this fast moving environment in recent years are discussed in this thesis. The first and the second chapter, I confessed myself and recollected the course of my living experience. From the confession, the nature of creativity status has changed and therefore the way of searching for the subject is distinct from the past one. Furthermore, the third chapter is to discussed the ideas and progress of my recent works The forth chapter is to delineate my personal, fragmental opinions on the transitions of this environment. According to my creativity, the subject is a fragmental language. It is muttered to itself and not able to formulate a system. It is furthermore turned to a multiple system to catch random fluctuation and close a logical selection of principal. From this action, the subject is ready to split to correspond with the new challenge for varied circumstance. The subject’s fission is the energy source to renew and regroup itself. The broken subject has been dancing evasively in the movement, like it has lost focus. This moving without focus is expecting the future, is waiting for next time without distraction. Chien-Pei Chen 陳建北 學位論文 ; thesis 70 zh-TW
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description 碩士 === 國立臺南藝術大學 === 造形藝術研究所 === 96 === Abstract In this thesis, the term “fission” does not mean schizophrenia or a declaration of national stand but a light and graceful escape. It makes the subject split and pass through a rigid border. Here the fission becomes a turning point of transformation and changes the subject’s direction. This direction is mixed with contradictory and ambiguous particularity to correspond with a nonlinearly development of history. This“fission” maybe is a gentle split or is a subject’s temporary weakness? it makes the subject vaguely shuttle in the irresistible current of information and exist evasively. The splitting of fission works as a safe mode which can pierce through the state of suspension and exempt from insanity My purpose in this thesis is to describe my art works between the years 2005 to 2007. It is also an observation on the Taiwanese art environment. Moreover, based on my art works and observation, the effects which have been generated by this fast moving environment in recent years are discussed in this thesis. The first and the second chapter, I confessed myself and recollected the course of my living experience. From the confession, the nature of creativity status has changed and therefore the way of searching for the subject is distinct from the past one. Furthermore, the third chapter is to discussed the ideas and progress of my recent works The forth chapter is to delineate my personal, fragmental opinions on the transitions of this environment. According to my creativity, the subject is a fragmental language. It is muttered to itself and not able to formulate a system. It is furthermore turned to a multiple system to catch random fluctuation and close a logical selection of principal. From this action, the subject is ready to split to correspond with the new challenge for varied circumstance. The subject’s fission is the energy source to renew and regroup itself. The broken subject has been dancing evasively in the movement, like it has lost focus. This moving without focus is expecting the future, is waiting for next time without distraction.
author2 Chien-Pei Chen
author_facet Chien-Pei Chen
Tsuang-Hsun Chuang
莊宗勳
author Tsuang-Hsun Chuang
莊宗勳
spellingShingle Tsuang-Hsun Chuang
莊宗勳
Fission After Suspending
author_sort Tsuang-Hsun Chuang
title Fission After Suspending
title_short Fission After Suspending
title_full Fission After Suspending
title_fullStr Fission After Suspending
title_full_unstemmed Fission After Suspending
title_sort fission after suspending
url http://ndltd.ncl.edu.tw/handle/65887147260468406435
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