Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation
碩士 === 國立臺南藝術大學 === 音像動畫研究所 === 96 === The visual style of an animation work is not just for the sake of art design but reflects the very personal aesthetic taste of the artist and his viewpoints. Therefore, in the first chapter, I illustrate the different faces of my visual design style and my idea...
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ndltd-TW-096TNCA56410072015-10-13T14:49:53Z http://ndltd.ncl.edu.tw/handle/88065761150433760634 Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation 以《「我說啊……,」我說。》動畫短片探討動畫創作之視覺風格設計 Ma, Kuang Pei 馬匡霈 碩士 國立臺南藝術大學 音像動畫研究所 96 The visual style of an animation work is not just for the sake of art design but reflects the very personal aesthetic taste of the artist and his viewpoints. Therefore, in the first chapter, I illustrate the different faces of my visual design style and my idea through each creation made in the past years. The second chapter analyzes my final project, “The Soliloquist,” which includes the process of this production: The inspiration, pre-production, applied digital tool, and the storyline and its image. The whole chapter tries to present the developing stages. The third chapter consists of the study of key elements of visual design used in animated short films and the comparison of individual creation with the contemporary style. The final chapter is a summary of previous chapters and a comment of overall animated film production environment in Taiwan, especially on the independent filmmakers. Yu, Wei Cheng 余為政 2008 學位論文 ; thesis 91 zh-TW |
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碩士 === 國立臺南藝術大學 === 音像動畫研究所 === 96 === The visual style of an animation work is not just for the sake of art design but reflects the very personal aesthetic taste of the artist and his viewpoints. Therefore, in the first chapter, I illustrate the different faces of my visual design style and my idea through each creation made in the past years. The second chapter analyzes my final project, “The Soliloquist,” which includes the process of this production: The inspiration, pre-production, applied digital tool, and the storyline and its image. The whole chapter tries to present the developing stages. The third chapter consists of the study of key elements of visual design used in animated short films and the comparison of individual creation with the contemporary style. The final chapter is a summary of previous chapters and a comment of overall animated film production environment in Taiwan, especially on the independent filmmakers.
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author2 |
Yu, Wei Cheng |
author_facet |
Yu, Wei Cheng Ma, Kuang Pei 馬匡霈 |
author |
Ma, Kuang Pei 馬匡霈 |
spellingShingle |
Ma, Kuang Pei 馬匡霈 Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation |
author_sort |
Ma, Kuang Pei |
title |
Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation |
title_short |
Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation |
title_full |
Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation |
title_fullStr |
Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation |
title_full_unstemmed |
Creation Descriptions of “ The Soliloquist ” and Study on Visual Design for Animation |
title_sort |
creation descriptions of “ the soliloquist ” and study on visual design for animation |
publishDate |
2008 |
url |
http://ndltd.ncl.edu.tw/handle/88065761150433760634 |
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