The Creativity Research of Free Ideology-‘Abstraction’
碩士 === 長榮大學 === 視覺藝術研究所 === 97 === The main study point in th is essay is to explore the desire and behavior generatedFrom the complex subconscious layer inside the bottom layer of human heart.Through the transformation and imagination of thought,the interaction between subjective object and object...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2009
|
Online Access: | http://ndltd.ncl.edu.tw/handle/80325582238183697142 |
id |
ndltd-TW-097CJU05616005 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-097CJU056160052016-04-29T04:19:44Z http://ndltd.ncl.edu.tw/handle/80325582238183697142 The Creativity Research of Free Ideology-‘Abstraction’ 「是形非形」-自由意識之創作研究 Ya-Fen Cheng 鄭雅芬 碩士 長榮大學 視覺藝術研究所 97 The main study point in th is essay is to explore the desire and behavior generatedFrom the complex subconscious layer inside the bottom layer of human heart.Through the transformation and imagination of thought,the interaction between subjective object and objective object,and mind collision,the imaginary world emerges from the complete self-cons-ciousness. On the basis of eastern and western theories,the desire and the deep layer of consciousness are analyzed as the sequence of ideas and foundation of the creation notion in this article.The creation idea is transformed into vision intention,presented the perspective,and to experience the instinct of life from creation implementation.Each chapter’s outline of this creation study is summarized as follows, Chapter 1 Preface: including four portions—motivation,object,method,and scope of study. Chapter 2 Theoretical basis: mainly to discuss and analyze the genius of desire and how the environment affect imagination will; to talk over and expound some perspectives relatively with combining the western philosophy,esthetics,psychology,the thesis of eastern Buddhism,etc;to help the write more understand each layr of desire andstimulate the deeper,exquisite,andcreative inspiration source of creation by deco mposing and analyzing the desire embedded in the bottom layer of human heart. Chapter 3 Creation technigue analyses and content discussion:to reveal the applied formal craft and to analyze the implication completely is according to the presentation of color aymosphere,the inquiry of picture vocabulary,technique and application ofmedia,and exploration of space depth in good order and with good reasoning. Chapter 4 Analysis and interpretation of works: to expose the perpective and imagination s cenario of desire aspect with reation craft;to decompose theconcept, craft,and the creation idea of seven mainpieces and to demonstrate the globe performance. Chapter 5 Conclusion: to review the process of this creative study and to note what the writer has learned by interpreting both theories and creation process separately. Yeh-Jung Kao 高業榮 2009 學位論文 ; thesis 80 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
碩士 === 長榮大學 === 視覺藝術研究所 === 97 === The main study point in th is essay is to explore the desire and behavior generatedFrom the complex subconscious layer inside the bottom layer of human heart.Through the transformation and imagination of thought,the interaction between subjective object and objective object,and mind collision,the imaginary world emerges from the complete self-cons-ciousness.
On the basis of eastern and western theories,the desire and the deep layer of consciousness are analyzed as the sequence of ideas and foundation of the creation notion in this article.The creation idea is transformed into vision intention,presented the perspective,and to experience the instinct of life from creation implementation.Each chapter’s outline of this creation study is summarized as follows,
Chapter 1 Preface: including four portions—motivation,object,method,and scope of study.
Chapter 2 Theoretical basis: mainly to discuss and analyze the genius of desire and how the environment affect imagination will; to talk over and expound some perspectives relatively with combining the western philosophy,esthetics,psychology,the thesis of eastern Buddhism,etc;to help the write more understand each layr of desire andstimulate the deeper,exquisite,andcreative inspiration source of creation by deco mposing and analyzing the desire embedded in the bottom layer of human heart.
Chapter 3 Creation technigue analyses and content discussion:to reveal the applied formal craft and to analyze the implication completely is according to the presentation of color aymosphere,the inquiry of picture vocabulary,technique and application ofmedia,and exploration of space depth in good order and with good reasoning.
Chapter 4 Analysis and interpretation of works: to expose the perpective and imagination s cenario of desire aspect with reation craft;to decompose theconcept, craft,and the
creation idea of seven mainpieces and to demonstrate the globe performance.
Chapter 5 Conclusion: to review the process of this creative study and to note what the writer has learned by interpreting both theories and creation process separately.
|
author2 |
Yeh-Jung Kao |
author_facet |
Yeh-Jung Kao Ya-Fen Cheng 鄭雅芬 |
author |
Ya-Fen Cheng 鄭雅芬 |
spellingShingle |
Ya-Fen Cheng 鄭雅芬 The Creativity Research of Free Ideology-‘Abstraction’ |
author_sort |
Ya-Fen Cheng |
title |
The Creativity Research of Free Ideology-‘Abstraction’ |
title_short |
The Creativity Research of Free Ideology-‘Abstraction’ |
title_full |
The Creativity Research of Free Ideology-‘Abstraction’ |
title_fullStr |
The Creativity Research of Free Ideology-‘Abstraction’ |
title_full_unstemmed |
The Creativity Research of Free Ideology-‘Abstraction’ |
title_sort |
creativity research of free ideology-‘abstraction’ |
publishDate |
2009 |
url |
http://ndltd.ncl.edu.tw/handle/80325582238183697142 |
work_keys_str_mv |
AT yafencheng thecreativityresearchoffreeideologyabstraction AT zhèngyǎfēn thecreativityresearchoffreeideologyabstraction AT yafencheng shìxíngfēixíngzìyóuyìshízhīchuàngzuòyánjiū AT zhèngyǎfēn shìxíngfēixíngzìyóuyìshízhīchuàngzuòyánjiū AT yafencheng creativityresearchoffreeideologyabstraction AT zhèngyǎfēn creativityresearchoffreeideologyabstraction |
_version_ |
1718251680326221824 |