The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space.
碩士 === 長榮大學 === 視覺藝術研究所 === 97 === The painter was used to focus on subjects and skills, however, to represent the world of the sensation self did not just what eyes seeing or ears hearing. Even thought we need sense organs to appreciate the art; in fact the mind is essential. In this creation, the...
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ndltd-TW-097CJU056160062016-04-29T04:19:44Z http://ndltd.ncl.edu.tw/handle/28635899349973647452 The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. 整體性「繪畫空間」之創作研究-夜景 Fang-Yi Chen 陳芳怡 碩士 長榮大學 視覺藝術研究所 97 The painter was used to focus on subjects and skills, however, to represent the world of the sensation self did not just what eyes seeing or ears hearing. Even thought we need sense organs to appreciate the art; in fact the mind is essential. In this creation, the painter expresses the integral whole pictorial space not only by the eye but also by the mind. The painter chooses the night scene as the subject of pictorial space in this thesis, since it brings about sublime, instinct and nature in painter’s mind. The space in a painting does not indicate the objects, on the contrary, space itself as the subject by which the objects indicate. Also, the content does not come from any objects transformed, but come from our (painter/ watcher) mind in which conducts the whole new concept. Because of mind’s difference, the world of a painter is different with the world of a scientist or a poet. To beyond “seeing”, night scene creates from painter’s instinct which agglomerates and associates from the memory of daily life, habitual behavior and sensed images. By using eyes to see, and using mind to dominate the feeling we are able to train the emotion and motive of mind into a logic level to demonstrate the main characteristic of subject in order to accomplish showing the inner meaning. After trying again and again, it is important to get a clear understanding of the nature of painting and painting itself by spirit and emotions. As Kandinsky (1866-1944) believe, “the abstract painting is not only about ‘forms’, but also about ‘spiritual’ painting.” After recognized the spirit, the space does no longer limit painter’s creation. In addition, every creation work will help painter to getting closer to the “nature” of painting. Keyword: nature, night scene, pictorial space. Lee, Chau-Chin 李朝進 2009 學位論文 ; thesis 54 zh-TW |
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碩士 === 長榮大學 === 視覺藝術研究所 === 97 === The painter was used to focus on subjects and skills, however, to represent the world of the sensation self did not just what eyes seeing or ears hearing. Even thought we need sense organs to appreciate the art; in fact the mind is essential. In this creation, the painter expresses the integral whole pictorial space not only by the eye but also by the mind.
The painter chooses the night scene as the subject of pictorial space in this thesis, since it brings about sublime, instinct and nature in painter’s mind. The space in a painting does not indicate the objects, on the contrary, space itself as the subject by which the objects indicate. Also, the content does not come from any objects transformed, but come from our (painter/ watcher) mind in which conducts the whole new concept. Because of mind’s difference, the world of a painter is different with the world of a scientist or a poet. To beyond “seeing”, night scene creates from painter’s instinct which agglomerates and associates from the memory of daily life, habitual behavior and sensed images. By using eyes to see, and using mind to dominate the feeling we are able to train the emotion and motive of mind into a logic level to demonstrate the main characteristic of subject in order to accomplish showing the inner meaning.
After trying again and again, it is important to get a clear understanding of the nature of painting and painting itself by spirit and emotions. As Kandinsky (1866-1944) believe, “the abstract painting is not only about ‘forms’, but also about ‘spiritual’ painting.” After recognized the spirit, the space does no longer limit painter’s creation. In addition, every creation work will help painter to getting closer to the “nature” of painting.
Keyword: nature, night scene, pictorial space.
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author2 |
Lee, Chau-Chin |
author_facet |
Lee, Chau-Chin Fang-Yi Chen 陳芳怡 |
author |
Fang-Yi Chen 陳芳怡 |
spellingShingle |
Fang-Yi Chen 陳芳怡 The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. |
author_sort |
Fang-Yi Chen |
title |
The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. |
title_short |
The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. |
title_full |
The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. |
title_fullStr |
The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. |
title_full_unstemmed |
The Night Scene: the Artistic Creation and Study on the Integral Whole Pictorial Space. |
title_sort |
night scene: the artistic creation and study on the integral whole pictorial space. |
publishDate |
2009 |
url |
http://ndltd.ncl.edu.tw/handle/28635899349973647452 |
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