Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani

碩士 === 中原大學 === 室內設計研究所 === 97 === As consumption is grading up gradually, consumption is no only simply confining to the basic function of the goods, but also paying much attention to the link of the goods with the attitudes of living and self-emotion. Then they seek to the luxury goods with multip...

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Main Authors: Pei-Hsien Hu, 胡珮嫻
Other Authors: Chian-Yeun Chang
Format: Others
Language:zh-TW
Published: 2009
Online Access:http://ndltd.ncl.edu.tw/handle/79513521276453130539
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spelling ndltd-TW-097CYCU52210172015-10-13T12:04:54Z http://ndltd.ncl.edu.tw/handle/79513521276453130539 Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani 精品消費及空間展示設計議題論述-以Armani為例 Pei-Hsien Hu 胡珮嫻 碩士 中原大學 室內設計研究所 97 As consumption is grading up gradually, consumption is no only simply confining to the basic function of the goods, but also paying much attention to the link of the goods with the attitudes of living and self-emotion. Then they seek to the luxury goods with multiple values in boutique. In other words, this kind of space reflected attitude toward life, consumer psychology and generalized social framework of the general public, including the development of the self-style and personal taste, even metaphor the inherent meaning of the social class and spiritual demands. Therefore, all kinds of boutiques in megalopolis are nowadays a large amount of consumption types. Actually, it is the best object to observe the current consumption culture and the quality of the life. First, the researcher, by the environment phenomenology method, investigates the experience and impression of the main consumption in the high-quality goods, and inquires into the related consumption theory and the analysis system. Further focusing consumption on the high-quality goods “the aestheti distance” and “aesthetic class” reflected: Having the high price high-quality goods includes the intense fashionable mark, builds deliberately the distance of the esthetic sense to lead the consumer with the intense desire for purchasing, and sells its brand story legend and so on, to deepen the rationality of the high-quality goods value. Furthermore, high-quality goods brand LOGO symbolized “the difference of the identification mark” to provide the consumer the power of consumption and the status recognition and to reflect the social class and taste. Finally, to perform the thorough exploration, this research takes the clothing high-quality goods space design as an example, carrying out the characterization analysis of the space case, and presents the observed result of luxury goods consumption in the contemporary social culture meaning. Chian-Yeun Chang 張謙允 2009 學位論文 ; thesis 111 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 中原大學 === 室內設計研究所 === 97 === As consumption is grading up gradually, consumption is no only simply confining to the basic function of the goods, but also paying much attention to the link of the goods with the attitudes of living and self-emotion. Then they seek to the luxury goods with multiple values in boutique. In other words, this kind of space reflected attitude toward life, consumer psychology and generalized social framework of the general public, including the development of the self-style and personal taste, even metaphor the inherent meaning of the social class and spiritual demands. Therefore, all kinds of boutiques in megalopolis are nowadays a large amount of consumption types. Actually, it is the best object to observe the current consumption culture and the quality of the life. First, the researcher, by the environment phenomenology method, investigates the experience and impression of the main consumption in the high-quality goods, and inquires into the related consumption theory and the analysis system. Further focusing consumption on the high-quality goods “the aestheti distance” and “aesthetic class” reflected: Having the high price high-quality goods includes the intense fashionable mark, builds deliberately the distance of the esthetic sense to lead the consumer with the intense desire for purchasing, and sells its brand story legend and so on, to deepen the rationality of the high-quality goods value. Furthermore, high-quality goods brand LOGO symbolized “the difference of the identification mark” to provide the consumer the power of consumption and the status recognition and to reflect the social class and taste. Finally, to perform the thorough exploration, this research takes the clothing high-quality goods space design as an example, carrying out the characterization analysis of the space case, and presents the observed result of luxury goods consumption in the contemporary social culture meaning.
author2 Chian-Yeun Chang
author_facet Chian-Yeun Chang
Pei-Hsien Hu
胡珮嫻
author Pei-Hsien Hu
胡珮嫻
spellingShingle Pei-Hsien Hu
胡珮嫻
Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani
author_sort Pei-Hsien Hu
title Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani
title_short Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani
title_full Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani
title_fullStr Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani
title_full_unstemmed Discourses on Luxury Consumption and Space exhibition design:Exempliefed by Armani
title_sort discourses on luxury consumption and space exhibition design:exempliefed by armani
publishDate 2009
url http://ndltd.ncl.edu.tw/handle/79513521276453130539
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