The Culture Hermeneutic of Museum Exhibition -A Case Study of Permanent Exhibition on National Museum of Taiwanese Literature

• Main Authors: Shu-wen Su, 蘇淑雯
• Other Authors: Kuo-ning Chen
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/19032515043116427171

碩士 === 南華大學 === 美學與視覺藝術學系碩士班 === 97 === 　　As a cultural interpretation, exhibition design is an interpretation of written creation. Designers use techniques for objects and space planning. Literature is to express the inner feelings of the author as well as to reflect the external society. The exhibition is a display of literature and which integrates into the presentation. The relationship between literature and exhibition results a transformation and reference with each other, Literature has thus become part of the diversity and openness exhibition experience. 　 　　For people who have dual identity/role of both literature readers and the museum attendant, the experience of visitors tour between reading and re-creation.Visit the museum exhibition and interprete the exhibition text. In order to figure out some questions and ideas to this relationship, the author expects that through the exploration, interpretation and the process of empirical research to get a complete understanding and reflection. 　 　　The purpose of this study is as follow： （一）、Apprehend the museum exhibition design, and devote to exploring the cultural implications with Hermeneutic approach. （二）、With the case study of permanent exhibition on National Museum of Taiwanese Literature, analyse and interpretate the exhibition design and culture purport. （三）、Through the exhibition evaluation and the feedback of audience studies, explore the "The Development of Taiwanese Literary" permanent exhibition , then analysis the relations and differences of the design interpretation and the audience interpretation. 　 　　Base on the museum exhibition design, this paper tries to discuss the cultural implications with Hermeneutic approach. The exhibition is considered as a process of interpretation and design practice, and of objects interpretation and the reproduction. 　 　　Furthermore, the permanent exhibition on National Museum of Taiwanese Literature, can be co analysed through the exhibition design and audience feedback research for the theory authentication. By means of the variety form of reproduction, the purport to the attendants’ cognitive learning, Taiwaners literature can be interpreted as a cultural orientation by the use of different interpretations of the views and practices. 　 　　Attempt on further considering the combination of the museum exhibitions and the literature, the actual interpretation of the exhibition design and the interpretation by the attendants would provide a great diversity of thinking.