ANOTHER LIFE STYLE - A FREAK'S CREATION

• Main Authors: Lay , Yeong - Tah, 賴勇達
• Other Authors: Lee , Chin - Ming
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/7pm957

碩士 === 國立高雄師範大學 === 美術學系 === 97 === Painting creation can be said to be an expression of life conveying the innermost feelings. In the creation the freak’s personalities are presented and communicate various feelings in life through different visual images; these feelings are from my innermost and in-depth pulse hiding secretly inside but are being revealed unconsciously in the painting."Another life style – a freak’s creation" is in fact one kind of visual expression in paintings showing my inner emotion and is similar to an abstract vocabulary beyond the expression under the general concrete vision so that it can fulfill both spiritually and metaphysically. The course of mutual intersection between external visual objects with the internal personalities, feeling/emotion and attitude/mood carries out the process of trade-offs during the dilemma as well as the sublimation.This paper contains seven major chapters exploring Lay,Yeong-Tah’s creation covering the creation progress, emotion/mood, and how the style is cultivated by tracing the creations from past to present and organizing them in a systematic way. Chapter one: " Introduction ". Chapter two: Central idea of " Another life style – a freak’s creation ". "Reveal the hidden factors" is divided into three sections: (1)"This home is not that home"; (2)"Hidden intrinsic freak’s personality" includes the moving idea, voyage feeling, greater freedom in the creation, courage against the rites, and the therapeutic rituals. (3) "External latent freak’s feelings" consists of passionate emotion–color, occasional but deep traces–form, and the change in compound flow under multi-materials. Chapter three analyzes the circumstances of " Another life style – a freak’s creation ", called " Interaction at moment", a process of internal and external thoughts in the course of mutual intersection. There are two sections in this chapter: (1) "Process searching for the voyage state" contains expected and unknown liberation, dynamic empathy, and unspecified sense; (2)"Self conscious and identity". Chapter four: "Clarification of creative thinking" proposes opinions for the problems encountered during the creation by comparison and comprehension. The chapter contains three sections: (1) "Concrete and abstract" studies the definition, simulation, performance, subject and object of "abstract and concrete"; (2)"Sincerity" and (3)"Balancing sense and sensibility". Chapter five "Other hidden side " is divided into three sections: (1) Me and us; (2) How to feel ease and free in the midst of tanglement; (3) Imperceptible epitome. Chapter six "Analysis of creation series" commenting on all creations. There are five sections: (1) " Small preface "briefly describes the relevance and expansibility of the creation series in all three stages. (2)"SURROUNDINGS series" discusses the creative chaos, multi-compounds of life, and messages in individual creation. (3)"PETS series" discovers mixed complications of self concept, uncertainties, latencies, creation analysis and comparison. (4)" TAH-TAH OBJECTS Series" depicts the period of the thoughts in painting collides the integration; thoughts/words after precipitation and multi-dimensions of feelings. (5) "Viewer and me." Chapter seven: "Conclusion" returns to me and the viewer. It conducts the most direct preliminary studies and organizes them systematically. The paper begins with self-experience, follows by procedures/behaviors, thoughts, the interaction between works and viewers, and ends up finding the creative context and axis. By identifying the possible latencies and unknown limits and self-examining timely, the core spirit of Lay,Yeong-Tah’s painting creations is therefore fabricated.