Visual Image of Light and Shadow Creation Theory of Yun-Fen Ku

• Main Authors: Yun-fen Ku, 古韻芬
• Other Authors: none
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/50394312597244999492

碩士 === 國立臺南大學 === 美術學系視覺藝術教學碩士班 === 97 === The artistic essay belongs to a literary writing developed by the works from 2007 to 2009. To achieve promoting the content of composition, the creator transformed the thinking mode to the nutrition of self-creation including the process of re-assessing, analyzing, and describing by searching from art history, painting theory, and structural elements of creation. To arriving to the purpose of understanding deeper and broader within the self-creation in the future, the research and the comparison went through the historical research, action research, the theoretical structure, and practical creation. This essay includes thoughts and senses of the creator. The final imagination was dealt with both by the digital process, and oil painting through the unlimited possibility of intuition, which combines the real scenery and imaginative ideal together. For creator, the view to light and shadow comes from the emotional impact inspired by natural energy. No matter the glorious sunshine or the static shadow, the instant image presentation was created by the pure stroke. Every moment of the inner mind for creation is the trigger opened by natural elements of scenery involved in light and shadow, when traveling with a curious and sensitive heart in any situation. The main system of this essay contained as follows – Preface: Brief description of motivation, purpose, direction, process, range, and structure of the research. Chapter 1: Literature Review. This part contains the integration of literature from research, including researches of light and shadow relative to Rembrandt, Vermeer, Monet, and Sisley. Chapter 2: The research and practice of the thematic creation. The main content is the representation from the analysis from primary structure and different layers through the creation. Chapter 3: Description of the ideal and form from creation with analysis. Conclusion: The generalization of the research, and a personal expectation toward the future.