| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 97 === The presentation of art often changes and moves forward with the times. From a perspective of nature and life, the process of artistic creation is obscure and often detached from objects; despite the fact that Nature gives human beings limitless life and abundant imagination, the flow of the existence of life forms has always had been regular and cyclical, highlighting the polarization of life, whether it be an outward extension or and inward contraction. The truth, namely Nature, may be found in the paintings. While appreciating art, one can feel the ever-changing and mercurial quality of life. The mental images thereby generated are reflected as visual art. The observation of the substance and emptiness of one’s mental images, combined with a spiritual world created under objectification and the rhythm of the nature allows one to realize the irreversibility of life and explore a mental image developed by paintings and their harmonization with the outside world.
Therefore, this thesis will begin with a perspective of art appreciation cultivated by the mental images of time, space and observation. In a painting, when the artistic creator is attempting to convey their mental image and the spirit behind a piece, and at the same time, by means of concrete image presentation, the contents of their thoughts, the inner reality brought forward is symbolic, expressive, delicate and sensitive. By studying the tradition of brush painting and its aggregation and integration with the spirit of the times, this thesis will study different perspectives of arts appreciation, including the philosophy of Lao-Zi and Zhuang-Zi, Confucianism, Chinese and Western aesthetics, iconography, semiology and post-modern glossematics, in an attempt to make the framework of art appreciation more abundant and complete, elicit thoughts and a common feeling among viewers with the creative spirit of an artistic piece in the process of objectification, elevate lives, and make the artistic creation of a painting an essential form of the presentation of values.
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