The Study of Chinese-Style Phenomenon in Pop Songs
碩士 === 國立臺北教育大學 === 語文與創作學系語文教學碩士班 === 98 === This study includes 6 chapters. Chapter 1 illustrates the research motive and methodology. Chapter 2 presents the literature review by an overall flashback of Chinese-style pop songs in the context of Taiwan pop music. Chapter 3 inquires the ambiguity of...
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| Format: | Others |
| Language: | zh-TW |
| Published: |
2009
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| Online Access: | http://ndltd.ncl.edu.tw/handle/89284116015689957482 |
| Summary: | 碩士 === 國立臺北教育大學 === 語文與創作學系語文教學碩士班 === 98 === This study includes 6 chapters. Chapter 1 illustrates the research motive and methodology. Chapter 2 presents the literature review by an overall flashback of Chinese-style pop songs in the context of Taiwan pop music. Chapter 3 inquires the ambiguity of China identity at the historic and cultural perspectives to view the long-existing and evolving Taiwan ideology and dispersed China identity. Chapter 4 discourses the criticisms from the cultural and artistic fields of China boom and the dilemma of the entertainment field for survival in the cross-straits (China-Taiwan) development and discusses the lyrical deconstruction phenomenon of the texts of pop songs. Chapter 5 states the pieces and authors by analyzing the intertexuality of lyrical use of Chinese and western cultures. The Chinese styles respectively presented by pop singers: Wang Lee-hom, Jay Chou and S.H.E. are analyzed horizontally; moreover, the personal pieces are compared and analyzed longitudinally.
This paper presents the diversified ideologies and complexes of Taiwanese by inquiring the changes of Chinese-style pop songs and hence indicates that there are the variety of unstable interpretations and the Chinese multiplicity in the conflict of pop-song appreciation, theories and reality.
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