The Study of Chinese-Style Phenomenon in Pop Songs

• Main Authors: CHINAG, TIN-TI, 江亭誼
• Other Authors: 邵曼珣
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/89284116015689957482

碩士 === 國立臺北教育大學 === 語文與創作學系語文教學碩士班 === 98 === This study includes 6 chapters. Chapter 1 illustrates the research motive and methodology. Chapter 2 presents the literature review by an overall flashback of Chinese-style pop songs in the context of Taiwan pop music. Chapter 3 inquires the ambiguity of China identity at the historic and cultural perspectives to view the long-existing and evolving Taiwan ideology and dispersed China identity. Chapter 4 discourses the criticisms from the cultural and artistic fields of China boom and the dilemma of the entertainment field for survival in the cross-straits (China-Taiwan) development and discusses the lyrical deconstruction phenomenon of the texts of pop songs. Chapter 5 states the pieces and authors by analyzing the intertexuality of lyrical use of Chinese and western cultures. The Chinese styles respectively presented by pop singers: Wang Lee-hom, Jay Chou and S.H.E. are analyzed horizontally; moreover, the personal pieces are compared and analyzed longitudinally. This paper presents the diversified ideologies and complexes of Taiwanese by inquiring the changes of Chinese-style pop songs and hence indicates that there are the variety of unstable interpretations and the Chinese multiplicity in the conflict of pop-song appreciation, theories and reality.