| Summary: | 碩士 === 國立臺東大學 === 美術產業碩士學位在職進修專班 === 97 === This study originates from the author's interest in nail painting art. According to the observation of the prevalent market trends in recent years, we find that most of nail painting arts copy and study the Japanese nail beauty models, regardless of their patterns, forms and styles. Art works of nail painting by Taiwanese lack neither techniques and skills, nor aesthetic virtue, but cultural features representing the country. Nail paintings in Taiwan is still constrained in individual development and has not yet formed industrial features, Taiwan's distinguishing images recognizable to the foreigners at the first sight of it. Compared with the rapid integration of other countries, the development trend in Taiwan makes people worried. In view of that, the author tries to break through today's nail beauty styles and line nail paintings and various gesture meanings together into the creative content of nail paintings. In light of above combined functions, the author tries to establish and design a set of form strategy criteria.
After the study issue and purpose are established, the author uses content analysis method to collect a large number of documents to clarify the historic evolution of nail paintings and understand the rise and development of Taiwan's nail beauty industry at all times. In accordance with resources of the relevant researches, the nail painting reference books sold on the market and so on, the author has investigated and made out today’s nail-manicuring technology and nail painting techniques to enrich the individual basic skills in the actual creation.
During the nail painting creation, the author tries to establish a set of design rules based on combination functions for nail paintings and gestures. Moreover, the author must use the content analysis method to classify various gestures in order to explore the origin and the meaning of gestures, and then further to arrange and study the elements of the form. After that, the author concentrates the attention on these combination functions and analyzes the form for the establishment and the implementation of the form as well as the content of the creation.
In the end of the research, the author tries to test skills and abilities and hopes the design inspiration and nimble thought can offer nail beauty painters and follow-up researchers a reference. For painting technique and picture design, the author believes that researchers can still make an in-depth development and research and sincerely hopes that one day in Taiwan, we will have our own nail beauty culture and characteristics on the whole style features in this field.
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