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碩士 === 東吳大學 === 中國文學系 === 97 === As the very important drama in Ming dynasty, Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’ are always popular, how ‘Lin-Chuan-Si-Meng’ become the Classics in Chinese traditional opera, that is a subject which deserve to be discuss. So this paper intends to use Reception Aesthet...
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ndltd-TW-097SCU050450052015-11-23T04:03:32Z http://ndltd.ncl.edu.tw/handle/41067695337511559166 none 臨川四夢戲曲接受史研究 Chia-Wen Kao 高嘉文 碩士 東吳大學 中國文學系 97 As the very important drama in Ming dynasty, Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’ are always popular, how ‘Lin-Chuan-Si-Meng’ become the Classics in Chinese traditional opera, that is a subject which deserve to be discuss. So this paper intends to use Reception Aesthetics as main source to analyze the reception facts about Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’, finding out that there is a continuing reception facts about Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’ during the four hundred years. none 羅麗容 學位論文 ; thesis 307 zh-TW |
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碩士 === 東吳大學 === 中國文學系 === 97 === As the very important drama in Ming dynasty, Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’ are always popular, how ‘Lin-Chuan-Si-Meng’ become the Classics in Chinese traditional opera, that is a subject which deserve to be discuss. So this paper intends to use Reception Aesthetics as main source to analyze the reception facts about Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’, finding out that there is a continuing reception facts about Tang Xian-Zu’s ‘Lin-Chuan-Si-Meng’ during the four hundred years.
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none Chia-Wen Kao 高嘉文 |
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Chia-Wen Kao 高嘉文 |
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Chia-Wen Kao 高嘉文 none |
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Chia-Wen Kao |
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http://ndltd.ncl.edu.tw/handle/41067695337511559166 |
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