| Summary: | 碩士 === 東海大學 === 美術學系 === 97 === Abstract
The thesis focuses on the author’s interpretation and perspective of oil painting during graduate school period.
The purpose of the quotations and the descriptions of personalities, lives and works is not to eulogize the writers and the artists to her liking. It is for the author to analyze how the silent but strong influence of their works affects her feelings and how it changes the way she sees things.
For a creator, from where one gets inspired and spiritually nurtured almost determines the taste of one’s works. It is not a controversial matter of right or wrong but purely of subjective choice. Accordingly, the thesis contains two purposes. One is to analyze how the contents of masterpieces (including literature works and paintings) influence the author composing her works; and the other is the author’s attempt to capture the integral image of her works.
The approach of the thesis is to point out the author’s understandings of the representation of scenery in literature works and art pieces. In the first chapter of this paper, for ancient literatures, the author elucidates the simplicity of scenes and artistic conception of Ci-hu, one of the 20 poems in The Collection of Wangchuan by Wang Wei(701~761). As for the contemporary literatures, she analyzes how Eileen Chang (1920-1995) depicted the hidden and complex emotions behind daily lives.
In the second chapter, the author foretells her tendency to adopt daily life as a theme of her works, by showing the Renaissance painter Piter Brueghel the Elder(1525-1569) of the Flemish Region, who is famous for his detailed illustration of scenery, and Italian painter Giorgio Morandi(1890-1964), who devoted his life concentrating on drawing bottles as examples.
The last two chapters reveal the author’s ideas of painting and her pursuit in graduate school period.
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