| Summary: | 碩士 === 臺北市立教育大學 === 視覺藝術學系視覺藝術教學碩士學位班 === 97 === The article describes my, Shu-Hui Chiang’s, art creations. I divide its main structure into four sections. The first section emphasizes the motives and goals of my creativity. The second section discusses four relative theories from female perspective. These theories are post-modern feminism, femininity, female body experience, and nude icons. In the third part, I proceed from “psychology”, and try to approach the ego subjectivity and self-image which reflects and splits. The fourth section is the analysis of my creations. By my own creating processes and concepts, I divide those creations into “Immanence”, “Flow” and “Introspection “. Then I try to analyze and interpret them, and also describe my introspections of all the process.
Interpreting in a post-modern deconstruction point of view, this thesis tells the creator’s feeling of life by my artistic creations, using pastel and acrylic as main materials. To explore my own life experience through paintings, the theme particularly focuses on the special sensitivity of a female in the contemporary city, in the ways of metaphorical self-portrait, illogical self imagination and free segmentation of the female bodies, allowing my true inner self to establish and form during the creating process. I wish to capture the very firsthand taste truthfulness by vision vocabulary, to confirm the authenticity of my own experience, moreover, to develop my creating thread little by little from close immanence to the surmountment of expressing my individuality.
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