Comparative Research on Repair and Patching Materials of Silk Paintings
碩士 === 國立臺南藝術大學 === 古物維護研究所 === 97 === In the past, conservators used to patch the silk paintings with long-preserved silk or the blank spaces of old silk paintings. Nowadays, artificial degraded silk similar to old silk can be created through accelerated aging technology. Initiated by Japan, the...
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ndltd-TW-097TNCA57530022015-11-23T04:03:32Z http://ndltd.ncl.edu.tw/handle/74969357537541088564 Comparative Research on Repair and Patching Materials of Silk Paintings 絹本繪畫修復鑲補材料之比較研究 Yu-Fen Hsiao 蕭郁芬 碩士 國立臺南藝術大學 古物維護研究所 97 In the past, conservators used to patch the silk paintings with long-preserved silk or the blank spaces of old silk paintings. Nowadays, artificial degraded silk similar to old silk can be created through accelerated aging technology. Initiated by Japan, the accelerated aging process is to apply acid or alkali to the silk and illuminate it with electron rays, such asγray. However, there are differences in painting silk due to different manufacturing process and the times. The painting silk of single weaving method or single degradation level can not meet the needs of different cases. This time, we obtained support layer whose texture was very similar to the original painting. They are in accord with each other in grain, color, and roundness of the silk thread. Therefore, the support layer was adopted as the filling materials for this case. The degraded silk newly-developed by Taiwan is similar to Japanese products in texture. As a result, the newly-developed degraded silk was chosen for trail and compared with the naturally aging silk to see their differences in efficiency. Patching in the same way, the matching degree with the original paintings, the feel during the repair process and the texture after color unification were all recorded in detail by pictures and text. This project is expected to be the effective reference for future choice and development of degraded silk. From repair project of Teng-Jiao Su’s fan, we’ve learned that the more the conditions and texture of the patching materials similar to the original painting, the greater the effects after color unification. The degraded silk developed by Taiwan had great performance in color unification and fragility of the silk. Nevertheless, more various kinds of man-made silk were needed, which is an obvious difficulty we met. 張元鳳 鄭建宗 2009 學位論文 ; thesis 0 zh-TW |
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碩士 === 國立臺南藝術大學 === 古物維護研究所 === 97 === In the past, conservators used to patch the silk paintings with long-preserved silk or the blank spaces of old silk paintings. Nowadays, artificial degraded silk similar to old silk can be created through accelerated aging technology. Initiated by Japan, the accelerated aging process is to apply acid or alkali to the silk and illuminate it with electron rays, such asγray. However, there are differences in painting silk due to different manufacturing process and the times. The painting silk of single weaving method or single degradation level can not meet the needs of different cases.
This time, we obtained support layer whose texture was very similar to the original painting. They are in accord with each other in grain, color, and roundness of the silk thread. Therefore, the support layer was adopted as the filling materials for this case. The degraded silk newly-developed by Taiwan is similar to Japanese products in texture. As a result, the newly-developed degraded silk was chosen for trail and compared with the naturally aging silk to see their differences in efficiency. Patching in the same way, the matching degree with the original paintings, the feel during the repair process and the texture after color unification were all recorded in detail by pictures and text. This project is expected to be the effective reference for future choice and development of degraded silk.
From repair project of Teng-Jiao Su’s fan, we’ve learned that the more the conditions and texture of the patching materials similar to the original painting, the greater the effects after color unification. The degraded silk developed by Taiwan had great performance in color unification and fragility of the silk. Nevertheless, more various kinds of man-made silk were needed, which is an obvious difficulty we met.
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author2 |
張元鳳 |
author_facet |
張元鳳 Yu-Fen Hsiao 蕭郁芬 |
author |
Yu-Fen Hsiao 蕭郁芬 |
spellingShingle |
Yu-Fen Hsiao 蕭郁芬 Comparative Research on Repair and Patching Materials of Silk Paintings |
author_sort |
Yu-Fen Hsiao |
title |
Comparative Research on Repair and Patching Materials of Silk Paintings |
title_short |
Comparative Research on Repair and Patching Materials of Silk Paintings |
title_full |
Comparative Research on Repair and Patching Materials of Silk Paintings |
title_fullStr |
Comparative Research on Repair and Patching Materials of Silk Paintings |
title_full_unstemmed |
Comparative Research on Repair and Patching Materials of Silk Paintings |
title_sort |
comparative research on repair and patching materials of silk paintings |
publishDate |
2009 |
url |
http://ndltd.ncl.edu.tw/handle/74969357537541088564 |
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