從鋼琴合作藝術觀點探討亨德密特《給低音管與鋼琴奏鳴曲》之演奏詮釋

• Main Author: 蕭凱儀
• Other Authors: 張詩欣
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/18817734102379069523

碩士 === 國立臺南藝術大學 === 鋼琴伴奏合作藝術研究所 === 97 === Paul Hindemith was one of important composers in the twentieth-century. He combined new with traditional music elements, initiated the harmony theory founding on Central Tone, and aimed in composing music for practical usage. This paper features in Hindemith’s ‘Sonata for Bassoon and Piano (1938)’. The author studies the living background of Hindemith, his general characteristics of compositions, and analyzes the context of the sonata. Through real experiences of collaborating with a bassoonist, the author (pianist) also provides interpretational suggestions, such as how to balance tone color and volume, fingerings…etc., for those who are interested in knowing more about this work as well as how to help such two instruments play well together.