Ink-painting Images of Floating World

• Main Authors: Mao-Tien Lee, 李茂田
• Other Authors: Chang-Hu Lin
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/u2g5p9

碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 97 === After Industrial Revolution, thinking and feeling of human beings had been jumping over the traditional agricultural stage gradually. Moreover, multi-culture and high-variation for the modern time also influenced the thinking and feeling of people, on both direct and indirect ways. People are eager pursuing unlimited material desire, resulting to loneliness, sadness, boringness, high-pressure, life blank and anxiety. To express this reflection to the change of environment, I am trying to have my Ink-Painting to image this contemporary feeling and thinking. In the first chapter of introduction, main concepts were mentioned, including motivation, purpose, category, and methods. The second chapter is about the construction of main theme, the analysis of theory, and the foundation of Ink-Painting. I compared my own concepts under traditional and modern times, which concluded this creation melting from traditional development and contemporary personal style. Chapter three contents is the analysis of Floating-Life, integrating the contemporary thought into ink painting, trying to turn over the traditional idea. Fourth chapter contents the techniques of creation, pursuing luxurious Floating-life but enslaving by the materials.mainly being illustrated by special marks, styles, intermediary material on , symbols and color choose. Final chapter five is the conclusion, summarizing the result of this study do no only image the surface of human floating-life, but also exposed problems and future in-depth prospects are also disclosed in this Chapter 5.