| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 97 === First, this article is based on the intention to interpret “The associating plan from a photograph in the classroom. ” from 2008 to 2009 , then developing
to explore the possible derivatives in creation from the power relationship among image, politics & the subject in the daily life. The research method includes participatory art , field study , questionnaires, diverted historical films .
In this stage , the goal of creation is to think about the possible self development - the other multi - performance forms except still photographs
the familiar media in which I have gotten used to present. After I started to read the new genre public art and joined the training of community artistic talents, the interaction between art and community, the identity of artists, and the public and art are displayed in different aspects to me. Moreover, due to the concern about political issues, I realize that only the change of artists makes the art creation of multi-culture society possible.
The axis first expounds the power relationship: chapter 1 general descriptions of research motivation, goals, issues, & methods; chapter2 surveying the vein of creation to find out change and variation; chapter 3 analyzing the content of creation and making a research of related contemporary creative works ; chapter 4 the statement of my creation from 2008 to2009 and my application of vocabulary of creation and form & structure ; chapter 5 recording my artistic creative procedure by which I put my concern about politics and society into practice.
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