The Imprint of Bodily Existence- memory retrieved with emotions sealed

• Main Authors: Yu-Chen Lin, 林宥辰
• Other Authors: 黎志文
• Format: Others
• Language: zh-TW
• Published: 2009
• Online Access: http://ndltd.ncl.edu.tw/handle/28jsm7

碩士 === 國立臺北藝術大學 === 造形研究所 === 97 === Since 2004,”The Imprint of bodily existence” was the experiences what I try to extend and connect the space of the sculpture with my body. Through the exploration of self-exist and the body’s form, it can truly present and record the deeply memory and emotion by sculpture itself. According to the series of my creations, “House” is the main program of the private space where I try to transmit my feeling when I experienced my own physiology and psychology at that moment. The shape of the works is shown by the materials which were isolated the private space as the mediums.Then it just left the suspected sections and let the spectators realize that my body has existed exactly. Through this way, it’s trying to break spectator’s usual image of the human body’s sculpture creations what they have ever experienced. Chapter 1. Background description—How the house effect my growing. Chapter 2. According to western sculpture’s point of view which included self and female’s body, and discuss the significance of female body’s creative works.Meanwhile, I try to find out the relation between female’s body and private space,through the situation in my memory. Chapter3. Make the comparison and figure out the different between traditional and modern by sculpture’s form, skill , material and position, and describe how I choose and define the medium for the series. Chapter 4. Summary—To complete the phased creative works. Concentrate on the past , current and future of my life, and thinking about the future of " The Imprint of bodily existence" series.