| Summary: | 碩士 === 國立中央大學 === 中國文學系碩士在職專班 === 98 === This thesis is aimed to investigate the prolog of each character in Taiwanese hand puppet show. The research is focus on the three main stream puppet show in Taiwan: traditional hand puppet show, Jin-guang hand puppet show and Pili hand puppet show. The researcher summarizes the development of these prologs and provides some suggestions for creating new prologs.
There are nine chapters in the thesis. Chapter one is the motivation, methodology and resources. In Chapter two, the research briefly introduces the present situation of Taiwanese hand puppet show. The origin and the development of Taiwanese puppet show are described in Chapter three. In Chapter Four, the content, origin and function of the prologs are introduced. Chapter Five is about the phonetics, syntax and semantics in Taiwanese hand puppet show. In Chapter Six, the research analyzes and compares the characters, image and art of the traditional and present hand puppet show. Chapter Seven is about the dialect of the prologs. In Chapter Eight, the influence of the transformation of Taiwanese puppet show on the prologs is described. Finally, the researcher talks about the future development and the valuation of Taiwanese hand puppet show.
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