| Summary: | 博士 === 國立中央大學 === 中國文學研究所 === 98 === Focusing on the study of the propagation and evolvement of Taiwan Luan-Tan Opera, the thesis represents the research of numerous phenomena with different points of view through those issues, arisen form the manuscripts of this traditional Taiwan Luan-Tan opera.
Once people refer to the history of Luan-Tan Opera, the one-way spread inference is mentioned all the time. However, the one-way spread inference is insufficient for reflecting the multi-way and diversified track of Luan-Tan Opera. In addition, the one-way spread inference will not be able to reconstruct those various evolutionary results of the historical developments of Luan-Tan Opera. The thesis looks on the scripts as a field with multi-layer contents based on those lyrics and words of existing scripts, in order to discover the connections with the shapes, images, and the innermost world. It involves the relationships of major characters, plots, and the complex of the network between those personages and stories. In the meantime, this thesis interprets the traces of multi-form and those shapes of different stages and furthermore provides those clues to discover those trends and patterns of the development of Luan-Tan Opera beyond, in consequence of those time crossing genres.
Moreover, the thesis also takes the distinction analysis to present the basic elements of significant plots and shows the phenomena of the way to take apart and rebuild the framework of the play. This part points out there is not only chances to find the general joints of a skeleton and the key-point of reverse, but also sketching out the features of the structures of the script and form the construction of the foundation of whole opera.
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