The Research of the Development of Professional Classical Music Publishing in Taiwan

• Main Authors: Yu-hsuan Huang, 黃玉萱
• Other Authors: Shu-chi Huang
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/59751185409368541344

碩士 === 南華大學 === 出版與文化事業管理研究所 === 98 === 　　Taiwan, in essence, is a society organization of cultural hybrid resulted from diversified culture molded under a succession of varied racial rulings. Hence, this accounts for its diversified and melting-pot format characteristics in displaying types either in traditional arts and literatures, cultural thoughts, living customs and even musical arts as well. The focal points for this research rest upon the theme that under the premise of various educational system reforms and the impacts from society music atmosphere changes, the professional classical music publishers managed to evolve in the course of industrial development during past decades. And how they adapted themselves along the trending changes so as to transform its respective structural formats is also important. Thus, it is feasible to retain the stabilized publisher types and formats even the publisher market here in Taiwan is still depressed as of now. 　 　　This research adopted the quality research approach. First of all, according to demand from the nature and structure for this research subject, it selected senior music teachers and musicians as its first phase primary research subjects. As for information collection, there are systematic collections and objective assessment as well as related information for the already occurred incidents. And through interview, this research managed to understand the actual scenarios. Hence, this research primarily bases on factual information gathering and supplemented with historical structural analysis. Lastly, there were cross-reference analysis and exploration conducted for all collected factual information, literatures and documentations, interview and survey information. And from these, summaries and findings are acquired as result. 　 　　Since the era of regaining the lost territory from Japanese occupation here in Taiwan, it does not matter whether the profile is music education, classical music development status, publishing environment or society environment, the western classical music does have profound relevance as well as casting impact towards the music publishing business in Taiwan. And this research will summarize the above mentioned four factors to discuss the integral course of development for professional publishers of classical music here in Taiwan.