Corcern for Our Local Customs —The Study of Dong-Gong Abstract
碩士 === 國立屏東教育大學 === 視覺藝術學系 === 98 === The study was based on concern for local customs, I then extended the topic to real life exploring local customs in Dong Gong. By studying related records then discussing practical and humanitarian life in Dong Gong. The scenery and culture in Dong Gong has in...
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ndltd-TW-098NPTT56160062016-05-04T04:16:43Z http://ndltd.ncl.edu.tw/handle/79446390722242921702 Corcern for Our Local Customs —The Study of Dong-Gong Abstract 鄉土關懷-東港港邊創作論述 Ching-Hsin Ho 何清心 碩士 國立屏東教育大學 視覺藝術學系 98 The study was based on concern for local customs, I then extended the topic to real life exploring local customs in Dong Gong. By studying related records then discussing practical and humanitarian life in Dong Gong. The scenery and culture in Dong Gong has inspired me to paint series of Dong Gong’s scenery. We can see strong will of the fishermen and understand the value of laborers through my paintings. I analyzed records of western Realism and humanitarian material as the reference for my paintings. The root of the development of Taiwan Realism art during the 70s was “care for local customs” movement which was the same reason as the development of Realism in France in the 19th century. Realism paintings portray people in a practical and humanitarian way. After I visited Dong Gong, I have come to understand tough conditions for the fishermen there. We should pay more attention to people around us. My paintings portray the real life of low-class people. My paintings originated from care for local people, then moved to concern for their spiritual feelings. Painting is an endless journey for me. I wish I can display more artistic types of painting in the future. Yen-ju Chen 陳燕如 2009 學位論文 ; thesis 149 zh-TW |
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碩士 === 國立屏東教育大學 === 視覺藝術學系 === 98 === The study was based on concern for local customs, I then extended the topic to real life exploring local customs in Dong Gong. By studying related records then discussing practical and humanitarian life in Dong Gong. The scenery and culture in Dong Gong has inspired me to paint series of Dong Gong’s scenery. We can see strong will of the fishermen and understand the value of laborers through my paintings.
I analyzed records of western Realism and humanitarian material as the reference for my paintings. The root of the development of Taiwan Realism art during the 70s was “care for local customs” movement which was the same reason as the development of Realism in France in the 19th century. Realism paintings portray people in a practical and humanitarian way.
After I visited Dong Gong, I have come to understand tough conditions for the fishermen there. We should pay more attention to people around us. My paintings portray the real life of low-class people. My paintings originated from care for local people, then moved to concern for their spiritual feelings. Painting is an endless journey for me. I wish I can display more artistic types of painting in the future.
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author2 |
Yen-ju Chen |
author_facet |
Yen-ju Chen Ching-Hsin Ho 何清心 |
author |
Ching-Hsin Ho 何清心 |
spellingShingle |
Ching-Hsin Ho 何清心 Corcern for Our Local Customs —The Study of Dong-Gong Abstract |
author_sort |
Ching-Hsin Ho |
title |
Corcern for Our Local Customs —The Study of Dong-Gong Abstract |
title_short |
Corcern for Our Local Customs —The Study of Dong-Gong Abstract |
title_full |
Corcern for Our Local Customs —The Study of Dong-Gong Abstract |
title_fullStr |
Corcern for Our Local Customs —The Study of Dong-Gong Abstract |
title_full_unstemmed |
Corcern for Our Local Customs —The Study of Dong-Gong Abstract |
title_sort |
corcern for our local customs —the study of dong-gong abstract |
publishDate |
2009 |
url |
http://ndltd.ncl.edu.tw/handle/79446390722242921702 |
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