The New Techniques in Henry Cowell''s Piano Solo Music
碩士 === 國立中山大學 === 音樂學系研究所 === 98 === Henry Cowell (1897-1965), American composer in 20th century, is the first who proposed the concept of tone clusters and placed many new techniques in his piano music. Innovative music theories and unique thoughts were displayed in his compositions and critiques....
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ndltd-TW-098NSYS52480032015-10-13T18:39:45Z http://ndltd.ncl.edu.tw/handle/81488755446952151557 The New Techniques in Henry Cowell''s Piano Solo Music 亨利.柯維爾鋼琴獨奏作品中非傳統演奏技巧探討 Yu-ling Teng 鄧伃伶 碩士 國立中山大學 音樂學系研究所 98 Henry Cowell (1897-1965), American composer in 20th century, is the first who proposed the concept of tone clusters and placed many new techniques in his piano music. Innovative music theories and unique thoughts were displayed in his compositions and critiques. For developing both new visual and audio effects of piano music, Cowell played tone clusters with arms, palms, and fists, and also played strings inside piano to give new gesture and timbre of piano. This thesis is divided into three parts besides introduction and conclusion. The first part describes the origin and development of new piano techniques in the 20th century. The second part investigates Cowell’s compositional career, compositional methods and thoughts for piano music. The third part analyzes ways of performing tone clusters and strings in Cowell’s solo piano pieces with new techniques. Through analyzing these particular techniques, the compositional methods and uniqueness of Cowell’s piano music could be understood. In the meanwhile, the performers will pay more attention to avoid performing injuries and damaging pianos. Mei-wen Lee 李美文 2010 學位論文 ; thesis 51 zh-TW |
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碩士 === 國立中山大學 === 音樂學系研究所 === 98 === Henry Cowell (1897-1965), American composer in 20th century, is the first who proposed the concept of tone clusters and placed many new techniques in his piano music. Innovative music theories and unique thoughts were displayed in his compositions and critiques. For developing both new visual and audio effects of piano music, Cowell played tone clusters with arms, palms, and fists, and also played strings inside piano to give new gesture and timbre of piano.
This thesis is divided into three parts besides introduction and conclusion. The first part describes the origin and development of new piano techniques in the 20th century. The second part investigates Cowell’s compositional career, compositional methods and thoughts for piano music. The third part analyzes ways of performing tone clusters and strings in Cowell’s solo piano pieces with new techniques. Through analyzing these particular techniques, the compositional methods and uniqueness of Cowell’s piano music could be understood. In the meanwhile, the performers will pay more attention to avoid performing injuries and damaging pianos.
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Mei-wen Lee |
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Mei-wen Lee Yu-ling Teng 鄧伃伶 |
author |
Yu-ling Teng 鄧伃伶 |
spellingShingle |
Yu-ling Teng 鄧伃伶 The New Techniques in Henry Cowell''s Piano Solo Music |
author_sort |
Yu-ling Teng |
title |
The New Techniques in Henry Cowell''s Piano Solo Music |
title_short |
The New Techniques in Henry Cowell''s Piano Solo Music |
title_full |
The New Techniques in Henry Cowell''s Piano Solo Music |
title_fullStr |
The New Techniques in Henry Cowell''s Piano Solo Music |
title_full_unstemmed |
The New Techniques in Henry Cowell''s Piano Solo Music |
title_sort |
new techniques in henry cowell''s piano solo music |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/81488755446952151557 |
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