Signs, Symbols and Souls - A Creative Elaboration of Ink Paintings by Huang Wei-Chun

• Main Authors: Wei-chun Huang, 黃瑋君
• Other Authors: Hsien-Chao Hung
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/43798126540759679354

碩士 === 國立臺南大學 === 美術學系碩士班 === 98 === Art is the portrayal of human lives. The subject matter of art creation and appreciation abounds. Analyzing theoretically and aesthetically, this research integrates theory research and pragmatic creation via toten and inner soul. The ideas of form and techniques in creation are signs, symbols, metaphors, and fables, which are presented through,The author tries to express the multi-spaces, which surmount the existed models, express the soul space. The author uses line drawing and coloring to express her inner soul and the application of ink painting. Thus, the author analyze her own creation, describes her own connotation and form of expression, builds her own creation vocabulary. This essay mainly covers the motives and aims of the study, as well as the scope and structure of the research methodology, introduced in Chapter 1; Chapter 2 looks at the theoretical basis which underpins this creativity in terms of aesthetics, philosophy, cognitive psychology, etc., and which enables access to the creative concept of “Signs, Symbols and the Soul;” Chapter 3 examines individual creative concepts, and explores the content, form, technique and development process of the creative element of expression; Chapter 4 looks at creative ideas and interpretational practice in “Signs, Symbols and the Soul,” and Chapter 5 concludes this paper with reflections on and expectations for the future.