| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系在職進修碩士班 === 98 === This research is an analysis of the habits and the characteristics of the both sexes and the different mode of behaviors developed due to the difference of characteristics on the basis of Karl G. Jung’s “the Collective Unconscious”. By seeing through the archetypes,
male and female potential self-approvals can be discussed.
On top of that, we discuss how the female obedience to male has been formed with Lacan’s “Mirror Stage”. Our minds, which are the subjects of our egos, is where rationality and authority are distributed; however, when our bodies become where paths of history, knowledge and succession of authority meet, “body” will take the place of “mind”.
Female bodies are where “mind” and “body” are loaded. Under the title “Authority, Desire, and History of Sex”, I discuss how male gazes influence on female
self-approval, how females ask for male acclaims under male gazes, which are looked on as universal values. To decipher the females in males, to read female responses to male views, I did creations of “Females under Patriarchal Contemplation”.
When it comes to keeping family in harmony and passing on genes, female plays an important role. As a result, I call for the respect from male to female and sexual
equivalence in this patriarchal society.
This research is based on postmodernist image structures, connecting related objects. As a result, through its own order and rearrangement of colors, the stories of images can
be easily conveyed. Sometimes using old masterpieces to flourish new works ; sometimes criticizing archaic viewpoints to make pictures more readable.
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