The Interpretation and Research of Bach’ s Partita No. 6, BWV 830 in e minor

• Main Authors: YU-LUN HUANG, 黃于倫
• Other Authors: MIIN-HWEY WANG
• Format: Others
• Language: zh-TW
• Online Access: http://ndltd.ncl.edu.tw/handle/50457561893085542365

碩士 === 國立臺北教育大學 === 音樂學系碩士班 === 97 === One of the most Influential composer in the half eighteenth century—Johann Sebastian Bach, finished many keyboard suites in his career life as a composer with the trend of his time. And “Sechs Partiten”, under the baptism of “Englische Suiten” and “Französische Suiten”, became the last keyboard suite created in large scale in late Baroque era. It not only presented Bach's extremely concise way of composing, but also promoted music form and artistic technique of that time to the peak. This text has six chapters, narrating Bach's background and characteristic of his creation at the beginning, comprehend form and style by exploring deeper into the origin and the development of the suite afterward. Later make in-depth analysis to the musical form structure of “Sechs Partiten, BWV 830”, making proper interpretation in style, pace, melody lines and harmony of each dance. Finally, organize the first five chapters and conclude in the sixth, by further studying into “Sechs Partiten, BWV 830”, it is expected to have better understanding of the marrow of Bach’s music.