Plays:"Deformation" & "The Tale of Killing a Dog"

碩士 === 臺灣大學 === 戲劇學研究所 === 98 === Abstract The thesis contains two parts-two Chinese Opera plays and the analysis. Deformation is a work of creative writing. "The Tale of Killing a Dog" was adapted from the traditional Chinese Opera play The Tale of Killing a Dog. Deformation, inspired by...

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Main Authors: Chieh-Nung Chu, 朱挈儂
Other Authors: 王安祈
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/90581459443283071844
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spelling ndltd-TW-098NTU055100122015-10-13T18:49:39Z http://ndltd.ncl.edu.tw/handle/90581459443283071844 Plays:"Deformation" & "The Tale of Killing a Dog" 畢業劇本:新編崑劇《變羊記》、改編崑劇《殺狗記》 Chieh-Nung Chu 朱挈儂 碩士 臺灣大學 戲劇學研究所 98 Abstract The thesis contains two parts-two Chinese Opera plays and the analysis. Deformation is a work of creative writing. "The Tale of Killing a Dog" was adapted from the traditional Chinese Opera play The Tale of Killing a Dog. Deformation, inspired by "The Outburst of a Shrew" in the Ming Dynasty, interprets intrapersonal relationships among characters, and also reflects upon bonds of the modern human society. The Tale of Killing a Dog, from one of the major Southern traditional operas during Sung and Yuan dynasties, talks about sibling rivalry. The malefactors make mischief between Sun Hua and Sun Rong. In order to solve their conflict, Sun Rong''s wife, Yang Yue-Zhen, persuades her husband by killing a dog. I insert two new characters into this story: the Yama and the clerk. Through their perspective, the story shifts its focus to the darkness of human desire. The part of analysis would compare the originals with the adapted ones, elaborating inheritance and transformation among texts. Through reviewing the whole process of composing dramas, it would also explain motivations for this literary creation. 王安祈 2010 學位論文 ; thesis 157 zh-TW
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description 碩士 === 臺灣大學 === 戲劇學研究所 === 98 === Abstract The thesis contains two parts-two Chinese Opera plays and the analysis. Deformation is a work of creative writing. "The Tale of Killing a Dog" was adapted from the traditional Chinese Opera play The Tale of Killing a Dog. Deformation, inspired by "The Outburst of a Shrew" in the Ming Dynasty, interprets intrapersonal relationships among characters, and also reflects upon bonds of the modern human society. The Tale of Killing a Dog, from one of the major Southern traditional operas during Sung and Yuan dynasties, talks about sibling rivalry. The malefactors make mischief between Sun Hua and Sun Rong. In order to solve their conflict, Sun Rong''s wife, Yang Yue-Zhen, persuades her husband by killing a dog. I insert two new characters into this story: the Yama and the clerk. Through their perspective, the story shifts its focus to the darkness of human desire. The part of analysis would compare the originals with the adapted ones, elaborating inheritance and transformation among texts. Through reviewing the whole process of composing dramas, it would also explain motivations for this literary creation.
author2 王安祈
author_facet 王安祈
Chieh-Nung Chu
朱挈儂
author Chieh-Nung Chu
朱挈儂
spellingShingle Chieh-Nung Chu
朱挈儂
Plays:"Deformation" & "The Tale of Killing a Dog"
author_sort Chieh-Nung Chu
title Plays:"Deformation" & "The Tale of Killing a Dog"
title_short Plays:"Deformation" & "The Tale of Killing a Dog"
title_full Plays:"Deformation" & "The Tale of Killing a Dog"
title_fullStr Plays:"Deformation" & "The Tale of Killing a Dog"
title_full_unstemmed Plays:"Deformation" & "The Tale of Killing a Dog"
title_sort plays:"deformation" & "the tale of killing a dog"
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/90581459443283071844
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