The Interpretation of Bach's Chromatic Fantasy and Fuga

碩士 === 國立臺灣藝術大學 === 音樂學系 === 98 === The interpretation of Bach’s Chromatic fantasia and fuga is combined with five chapters. First, the research of Bach’s life and time is the basic step. I wish to understand Bach’s musical environment and style by this step. Then, the history of musical form is...

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Bibliographic Details
Main Authors: OU YANG, SHU-CHING, 歐陽淑卿
Other Authors: CHEN, CHIH-CHI
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/58767558242407293715
Description
Summary:碩士 === 國立臺灣藝術大學 === 音樂學系 === 98 === The interpretation of Bach’s Chromatic fantasia and fuga is combined with five chapters. First, the research of Bach’s life and time is the basic step. I wish to understand Bach’s musical environment and style by this step. Then, the history of musical form is to confer, including of fantasy and fuga before Bach and at Bach’s time. The analysis of the score is the next step, and I bring up my interpretation. The result of this research: Bach used various techniques in his fantasy, and the chromatic idea pass through this piece; The fuga have complete fugal form. Bach used little motive to change. This piece has a full structure and shows Bach’s style.