Penetration﹒Mood Symbol

• Main Authors: Hsiao-feng Chang, 張小鳳
• Other Authors: Chen-hui Chang
• Format: Others
• Language: zh-TW
• Published: 2010
• Online Access: http://ndltd.ncl.edu.tw/handle/62541410243702973980

碩士 === 台南科技大學 === 美術研究所 === 98 === Artistic creation is an expression of feelings and emotions; it is also a way of artistic self-healing. Previous artist Wassily Kandinsky used colors which were full of musical characters to perform rhythms of abstract paintings. Pablo Ruiz Picasso expressed his love to his country and lovers by means of his paintings. After Postmodernism, artistic creation has been changing constantly and the use of media has been improved because of technology development. I combined the expression techniques from previous artists, and the outlook has been improved from flat surface paintings. Three dimensional sculptures were used.The interesting finding of shapes came from ancient Buddhist images. Moreover, the work compromised adopted the deformed shapes which were between flat and round sculptures. The material used for the base was mixtures of newspaper pulp. The creation involved oriental deformation, simple, and the style between substance and hollow. Furthermore, the connection of the frames in a three dimensional way models the emotions between, my family members, me and the surroundings. This study collects the works of art from 2007 to 2010. By means of words, the particular emotional viewpoint between married women, their family and workplaces is expressed in the current social structure. The creations are from early relief to three dimensional sculptures, from single frame to group connected frames and from single medium to mixed media. Each creation provides reflection and improvement. There are five chapters in this study. Chapter One explains the motivation and purposes of using symbols to model family sentiment pictures. Chapter Two illustrates the most important family in the author’s life and how she transforms her emotions to family into artistic creation. Chapter Three explores why penetrating mood symbols is formed. Chapter Four interprets the foundation and philosophy of the works of art of these four phases. Chapter Five summarizes and reflects the study. Ideas for future artistic creation are provided in the end.