The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period

碩士 === 雲林科技大學 === 漢學資料整理研究所碩士班 === 98 === San-Mau''s works infused new life into the uncivilized society of Taiwan, and initiated San-Mau''s fever for two decades, which drew a lot of attention and criticism. Especially for San-Mau''s stylistics,...

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Main Authors: Yi-Hui Shen, 沈依慧
Other Authors: Tung-Yang Huang
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/96297192189677555947
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spelling ndltd-TW-098YUNT57640252015-10-13T18:58:56Z http://ndltd.ncl.edu.tw/handle/96297192189677555947 The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period 三毛沙漠時期作品之虛實對照研究 Yi-Hui Shen 沈依慧 碩士 雲林科技大學 漢學資料整理研究所碩士班 98 San-Mau''s works infused new life into the uncivilized society of Taiwan, and initiated San-Mau''s fever for two decades, which drew a lot of attention and criticism. Especially for San-Mau''s stylistics, they had a great diversity of opinions. No matter how you classify, you can not generalize a conclusion of San-Mau''s works. Taking a deeper research into the texts, I discover that her self-centered writing style appears repeatedly in her writing materials, which results in the double explanations of the same incident. This dissertation would like to clarify the ambiguity of the stylistics and classify San-Mau''s works into novel or prose by means of text’s analysis. Furthermore, I try to realize the intentions and emotions of her creation through the analysis of her direct and indirect writing techniques. Based on the analysis of the text, it is found that San-Mau''s works in desert periods often reflected her discomforts and difficulties of desert life in humorous and funny parlance. But when San-Mau''s was dissatisfied with real situation, she regarded the readers as listeners, criticized the right value that she supposed and expressed her true feelings straightly in the writing style of prose. However, as she wanted to avoid talking about the real situation, San-Mau tended to express her own feelings in direct writing technique. Sometimes she told a story, and sometimes she reconstructed the analogous materials in humorous and funny tone. San-Mau set a new atmosphere and covered her true feelings by means of changing plots and teasing parlance in order to convince herself and the readers. Thus, she narrated like telling a story, and its form was similar to a novel. Therefore the creation sensation is the reason why San-Mau''s biography writing moves freely between the novel and the prose. After the discussion, we give the deeper definitions to the process and the concepts of San-Mau''s creation. In a meanwhile, we provide the methods to research San-Mau''s stylistics and creation. Based on the initial discussion and clarification, we also provide the researchers who discuss San-Mau or other modern female writers with the construct of the basic theory. Tung-Yang Huang 黃東陽 2010 學位論文 ; thesis 129 zh-TW
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description 碩士 === 雲林科技大學 === 漢學資料整理研究所碩士班 === 98 === San-Mau''s works infused new life into the uncivilized society of Taiwan, and initiated San-Mau''s fever for two decades, which drew a lot of attention and criticism. Especially for San-Mau''s stylistics, they had a great diversity of opinions. No matter how you classify, you can not generalize a conclusion of San-Mau''s works. Taking a deeper research into the texts, I discover that her self-centered writing style appears repeatedly in her writing materials, which results in the double explanations of the same incident. This dissertation would like to clarify the ambiguity of the stylistics and classify San-Mau''s works into novel or prose by means of text’s analysis. Furthermore, I try to realize the intentions and emotions of her creation through the analysis of her direct and indirect writing techniques. Based on the analysis of the text, it is found that San-Mau''s works in desert periods often reflected her discomforts and difficulties of desert life in humorous and funny parlance. But when San-Mau''s was dissatisfied with real situation, she regarded the readers as listeners, criticized the right value that she supposed and expressed her true feelings straightly in the writing style of prose. However, as she wanted to avoid talking about the real situation, San-Mau tended to express her own feelings in direct writing technique. Sometimes she told a story, and sometimes she reconstructed the analogous materials in humorous and funny tone. San-Mau set a new atmosphere and covered her true feelings by means of changing plots and teasing parlance in order to convince herself and the readers. Thus, she narrated like telling a story, and its form was similar to a novel. Therefore the creation sensation is the reason why San-Mau''s biography writing moves freely between the novel and the prose. After the discussion, we give the deeper definitions to the process and the concepts of San-Mau''s creation. In a meanwhile, we provide the methods to research San-Mau''s stylistics and creation. Based on the initial discussion and clarification, we also provide the researchers who discuss San-Mau or other modern female writers with the construct of the basic theory.
author2 Tung-Yang Huang
author_facet Tung-Yang Huang
Yi-Hui Shen
沈依慧
author Yi-Hui Shen
沈依慧
spellingShingle Yi-Hui Shen
沈依慧
The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period
author_sort Yi-Hui Shen
title The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period
title_short The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period
title_full The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period
title_fullStr The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period
title_full_unstemmed The Contrast Study on Reality and Fantacy of San-Mau''s Works of Desert Period
title_sort contrast study on reality and fantacy of san-mau''s works of desert period
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/96297192189677555947
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