A study on the Imperceptibility of Fingerprint Data in Digital Music

碩士 === 元智大學 === 通訊工程學系 === 98 === Digital fingerprinting is a technique to protect intellectual properties. Illegal distribution of the digital media can be prevented. If digital fingerprints embedded in the media file can be extracted,and the illegal distributors can be found. Ideally,digital finge...

Full description

Bibliographic Details
Main Authors: chih-kuang Kao, 高志光
Other Authors: 李穎
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/67149158768276584530
id ndltd-TW-098YZU05650024
record_format oai_dc
spelling ndltd-TW-098YZU056500242015-10-13T18:20:57Z http://ndltd.ncl.edu.tw/handle/67149158768276584530 A study on the Imperceptibility of Fingerprint Data in Digital Music 數位音樂指紋資料之隱藏技術研究 chih-kuang Kao 高志光 碩士 元智大學 通訊工程學系 98 Digital fingerprinting is a technique to protect intellectual properties. Illegal distribution of the digital media can be prevented. If digital fingerprints embedded in the media file can be extracted,and the illegal distributors can be found. Ideally,digital fingerprints should be imperceptible and can resist collusion attacks. The colluder may combine several copies of media files,with the intention of scrambling the digital fingerprints in the files to prevent traiter tracing.In this research, we explore methods to improve the imperceptibility of digital fingerprints that can resist collusion attacks. In Cha and Kuo’s 2007 research, a technique similar to spread spectrum is proposed,where the Hadamard sequences were used as codewords for digital fingerprints in digital music. We believe that the imperceptibility of digital fingerprints is related to the peak-to-average power ratio (PAPR) of the codewords in time and frequency domains.Codewords with samller PAPR are less perceptible. We compare the PAPR of several well known orthogonal sequence sets,e.q. Hadamard sequences, Golay Hadamard sequences,inverse discrete Fourier transform sequences,and cyclicly-shifted pseudo-noise sequences. The PAPR of Golay Hadamard sequences are the lowest. Since the Hadamard sequences used in Cha and Kuo’s 2007 research have high PAPR and not ideal imperceptibility, we propose to use orthogonal Golay Hadamard sequences as codewords. It’s low PAPR in time and frequency domains allow us to create digital fingerprints whose strengths can be adjusted to follow the strengths of the music signal, so that the imperceptibility can be improved.The cyclicly-shifted pseudo-noise sequences often used in communication systems also have low PAPR in both time and frequency domain. However, since these sequences can have high cross crrelations after being shifted,the resistance towards collusion attacks would be affected. 李穎 2010 學位論文 ; thesis 56 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 元智大學 === 通訊工程學系 === 98 === Digital fingerprinting is a technique to protect intellectual properties. Illegal distribution of the digital media can be prevented. If digital fingerprints embedded in the media file can be extracted,and the illegal distributors can be found. Ideally,digital fingerprints should be imperceptible and can resist collusion attacks. The colluder may combine several copies of media files,with the intention of scrambling the digital fingerprints in the files to prevent traiter tracing.In this research, we explore methods to improve the imperceptibility of digital fingerprints that can resist collusion attacks. In Cha and Kuo’s 2007 research, a technique similar to spread spectrum is proposed,where the Hadamard sequences were used as codewords for digital fingerprints in digital music. We believe that the imperceptibility of digital fingerprints is related to the peak-to-average power ratio (PAPR) of the codewords in time and frequency domains.Codewords with samller PAPR are less perceptible. We compare the PAPR of several well known orthogonal sequence sets,e.q. Hadamard sequences, Golay Hadamard sequences,inverse discrete Fourier transform sequences,and cyclicly-shifted pseudo-noise sequences. The PAPR of Golay Hadamard sequences are the lowest. Since the Hadamard sequences used in Cha and Kuo’s 2007 research have high PAPR and not ideal imperceptibility, we propose to use orthogonal Golay Hadamard sequences as codewords. It’s low PAPR in time and frequency domains allow us to create digital fingerprints whose strengths can be adjusted to follow the strengths of the music signal, so that the imperceptibility can be improved.The cyclicly-shifted pseudo-noise sequences often used in communication systems also have low PAPR in both time and frequency domain. However, since these sequences can have high cross crrelations after being shifted,the resistance towards collusion attacks would be affected.
author2 李穎
author_facet 李穎
chih-kuang Kao
高志光
author chih-kuang Kao
高志光
spellingShingle chih-kuang Kao
高志光
A study on the Imperceptibility of Fingerprint Data in Digital Music
author_sort chih-kuang Kao
title A study on the Imperceptibility of Fingerprint Data in Digital Music
title_short A study on the Imperceptibility of Fingerprint Data in Digital Music
title_full A study on the Imperceptibility of Fingerprint Data in Digital Music
title_fullStr A study on the Imperceptibility of Fingerprint Data in Digital Music
title_full_unstemmed A study on the Imperceptibility of Fingerprint Data in Digital Music
title_sort study on the imperceptibility of fingerprint data in digital music
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/67149158768276584530
work_keys_str_mv AT chihkuangkao astudyontheimperceptibilityoffingerprintdataindigitalmusic
AT gāozhìguāng astudyontheimperceptibilityoffingerprintdataindigitalmusic
AT chihkuangkao shùwèiyīnlèzhǐwénzīliàozhīyǐncángjìshùyánjiū
AT gāozhìguāng shùwèiyīnlèzhǐwénzīliàozhīyǐncángjìshùyánjiū
AT chihkuangkao studyontheimperceptibilityoffingerprintdataindigitalmusic
AT gāozhìguāng studyontheimperceptibilityoffingerprintdataindigitalmusic
_version_ 1718030649139396608