《Reformation》Innovative access to the past – pondering before striding forwards

碩士 === 華梵大學 === 美術學系碩士班 === 99 === Abstract Under the influence of the thinking “to write with the times,” the innovative transformation of contemporary calligraphy is significantly faster than that in the past. The art of contemporary calligraphy intends to investigate if contemporary calligraphy b...

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Main Authors: Po-Ran Ke, 柯柏任
Other Authors: Yi-Chung Hsuing
Format: Others
Language:zh-TW
Published: 2010
Online Access:http://ndltd.ncl.edu.tw/handle/53997696111206354082
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spelling ndltd-TW-099HCHT02330062015-10-13T19:06:47Z http://ndltd.ncl.edu.tw/handle/53997696111206354082 《Reformation》Innovative access to the past – pondering before striding forwards 「七年之癢 舊裏藏新」- 在跨步向前之後 Po-Ran Ke 柯柏任 碩士 華梵大學 美術學系碩士班 99 Abstract Under the influence of the thinking “to write with the times,” the innovative transformation of contemporary calligraphy is significantly faster than that in the past. The art of contemporary calligraphy intends to investigate if contemporary calligraphy belongs to abstract paintings or calligraphic works and if sheer writing certainly equals to tradition and ancient times. With the change of times, the artistry of calligraphy has surpassed its practicability. The thinking of western postmodernism facilitates the combination between calligraphic application and other materials and elements, which increases the diversity of various calligraphic works. However, in the changing time, the importance of calligraphy to tradition has gradually weakened and so has the unique cultural characteristic and cultural spirit pursued during writing. This study intends to investigate whether it is necessary to break the traditional thinking for thousands of years to get rid of the stereotypes in order to further create the works “conforming to the trend of times.” It is hoped that this study can increase the reflection on the change of times. Yi-Chung Hsuing 熊宜中 2010 學位論文 ; thesis 101 zh-TW
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language zh-TW
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description 碩士 === 華梵大學 === 美術學系碩士班 === 99 === Abstract Under the influence of the thinking “to write with the times,” the innovative transformation of contemporary calligraphy is significantly faster than that in the past. The art of contemporary calligraphy intends to investigate if contemporary calligraphy belongs to abstract paintings or calligraphic works and if sheer writing certainly equals to tradition and ancient times. With the change of times, the artistry of calligraphy has surpassed its practicability. The thinking of western postmodernism facilitates the combination between calligraphic application and other materials and elements, which increases the diversity of various calligraphic works. However, in the changing time, the importance of calligraphy to tradition has gradually weakened and so has the unique cultural characteristic and cultural spirit pursued during writing. This study intends to investigate whether it is necessary to break the traditional thinking for thousands of years to get rid of the stereotypes in order to further create the works “conforming to the trend of times.” It is hoped that this study can increase the reflection on the change of times.
author2 Yi-Chung Hsuing
author_facet Yi-Chung Hsuing
Po-Ran Ke
柯柏任
author Po-Ran Ke
柯柏任
spellingShingle Po-Ran Ke
柯柏任
《Reformation》Innovative access to the past – pondering before striding forwards
author_sort Po-Ran Ke
title 《Reformation》Innovative access to the past – pondering before striding forwards
title_short 《Reformation》Innovative access to the past – pondering before striding forwards
title_full 《Reformation》Innovative access to the past – pondering before striding forwards
title_fullStr 《Reformation》Innovative access to the past – pondering before striding forwards
title_full_unstemmed 《Reformation》Innovative access to the past – pondering before striding forwards
title_sort 《reformation》innovative access to the past – pondering before striding forwards
publishDate 2010
url http://ndltd.ncl.edu.tw/handle/53997696111206354082
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