《Reformation》Innovative access to the past – pondering before striding forwards
碩士 === 華梵大學 === 美術學系碩士班 === 99 === Abstract Under the influence of the thinking “to write with the times,” the innovative transformation of contemporary calligraphy is significantly faster than that in the past. The art of contemporary calligraphy intends to investigate if contemporary calligraphy b...
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ndltd-TW-099HCHT02330062015-10-13T19:06:47Z http://ndltd.ncl.edu.tw/handle/53997696111206354082 《Reformation》Innovative access to the past – pondering before striding forwards 「七年之癢 舊裏藏新」- 在跨步向前之後 Po-Ran Ke 柯柏任 碩士 華梵大學 美術學系碩士班 99 Abstract Under the influence of the thinking “to write with the times,” the innovative transformation of contemporary calligraphy is significantly faster than that in the past. The art of contemporary calligraphy intends to investigate if contemporary calligraphy belongs to abstract paintings or calligraphic works and if sheer writing certainly equals to tradition and ancient times. With the change of times, the artistry of calligraphy has surpassed its practicability. The thinking of western postmodernism facilitates the combination between calligraphic application and other materials and elements, which increases the diversity of various calligraphic works. However, in the changing time, the importance of calligraphy to tradition has gradually weakened and so has the unique cultural characteristic and cultural spirit pursued during writing. This study intends to investigate whether it is necessary to break the traditional thinking for thousands of years to get rid of the stereotypes in order to further create the works “conforming to the trend of times.” It is hoped that this study can increase the reflection on the change of times. Yi-Chung Hsuing 熊宜中 2010 學位論文 ; thesis 101 zh-TW |
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碩士 === 華梵大學 === 美術學系碩士班 === 99 === Abstract
Under the influence of the thinking “to write with the times,” the innovative
transformation of contemporary calligraphy is significantly faster than that in the past.
The art of contemporary calligraphy intends to investigate if contemporary
calligraphy belongs to abstract paintings or calligraphic works and if sheer writing
certainly equals to tradition and ancient times. With the change of times, the artistry
of calligraphy has surpassed its practicability. The thinking of western postmodernism
facilitates the combination between calligraphic application and other materials and
elements, which increases the diversity of various calligraphic works. However, in the
changing time, the importance of calligraphy to tradition has gradually weakened and
so has the unique cultural characteristic and cultural spirit pursued during writing.
This study intends to investigate whether it is necessary to break the traditional
thinking for thousands of years to get rid of the stereotypes in order to further create
the works “conforming to the trend of times.” It is hoped that this study can increase
the reflection on the change of times.
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author2 |
Yi-Chung Hsuing |
author_facet |
Yi-Chung Hsuing Po-Ran Ke 柯柏任 |
author |
Po-Ran Ke 柯柏任 |
spellingShingle |
Po-Ran Ke 柯柏任 《Reformation》Innovative access to the past – pondering before striding forwards |
author_sort |
Po-Ran Ke |
title |
《Reformation》Innovative access to the past – pondering before striding forwards |
title_short |
《Reformation》Innovative access to the past – pondering before striding forwards |
title_full |
《Reformation》Innovative access to the past – pondering before striding forwards |
title_fullStr |
《Reformation》Innovative access to the past – pondering before striding forwards |
title_full_unstemmed |
《Reformation》Innovative access to the past – pondering before striding forwards |
title_sort |
《reformation》innovative access to the past – pondering before striding forwards |
publishDate |
2010 |
url |
http://ndltd.ncl.edu.tw/handle/53997696111206354082 |
work_keys_str_mv |
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